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The Aerial Ropeway Car descending from the Sugar Loaf Mount, showing Botafogo Bay on the right, and the Atlantic on the left, Estacio de Sa, the Founder of the City, landed on the immediate left (colour litho)
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The Aerial Ropeway Car descending from the Sugar Loaf Mount, showing Botafogo Bay on the right, and the Atlantic on the left, Estacio de Sa, the Founder of the City, landed on the immediate left (colour litho)
5221667 The Aerial Ropeway Car descending from the Sugar Loaf Mount, showing Botafogo Bay on the right, and the Atlantic on the left, Estacio de Sa, the Founder of the City, landed on the immediate left (colour litho) by Pattison, Edgar L. (1872-1950); Private Collection; (add.info.: The Aerial Ropeway Car descending from the Sugar Loaf Mount, showing Botafogo Bay on the right, and the Atlantic on the left, Estacio de Sa, the Founder of the City, landed on the immediate left. Illustration for The Beautiful Rio De Janeiro by Allured Gray Bell (William Heinemann, c 1914).); © Look and Learn
Media ID 25152962
© Look and Learn / Bridgeman Images
Atlantic Brasil Brazil Descending Founder Landed Rio De Janeiro Botafogo Bay
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EDITORS COMMENTS
This print captures the breathtaking view of Rio de Janeiro from the Sugar Loaf Mount. The Aerial Ropeway Car can be seen gracefully descending, providing a unique perspective of the city's beauty. On the right side, Botafogo Bay stretches out, its calm waters reflecting the vibrant colors of the surrounding landscape. To the left lies the vast Atlantic Ocean, its endless horizon merging with the sky in a seamless blend of blues. In this historic image, we are reminded of Estacio de Sa, who founded this magnificent city. He is depicted as having landed on the immediate left, symbolizing his pivotal role in shaping Rio de Janeiro's destiny. The artist behind this color lithograph is Edgar L. Pattison (1872-1950), whose attention to detail and mastery of technique bring this scene to life. This artwork was originally created for "The Beautiful Rio De Janeiro" by Allured Gray Bell and published around 1914. As we gaze upon this stunning print, we are transported back in time to early twentieth-century Brazil when Rio de Janeiro was still emerging as one of South America's most iconic cities. It serves as a reminder not only of its natural wonders but also its rich history and cultural heritage that continue to captivate visitors from around the world today.
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