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A Syce (groom) Holding Two Carriage Horses, c. 1845 (opaque w / c on paper)
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A Syce (groom) Holding Two Carriage Horses, c. 1845 (opaque w / c on paper)
3614150 A Syce (groom) Holding Two Carriage Horses, c.1845 (opaque w/c on paper) by Shaik Muhammad Amir of Karraya (fl.1830-50); 30.5x50.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Commissioned by the Chief Justice of Bengal, Sir Elijah Impey, and his wife, Lady Mary in Calcutta, India
Many East India Company officers commissioned paintings as a visual record of their households, including animals, possessions, and servants.); Indian, out of copyright
Media ID 22734366
© Bridgeman Images
Bengal British Empire British Imperialism British Raj Calcutta Company East India Groom Harness Household Lady Mary Impey Naturalism Possessions
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This print titled "A Syce (groom) Holding Two Carriage Horses, c. 1845" by Shaik Muhammad Amir of Karraya offers a glimpse into the colonial era in India. The image showcases a skilled groom standing proudly beside two majestic carriage horses, their harnesses gleaming under the sunlight. Painted with opaque watercolors on paper, this artwork measures 30.5x50.8 cm and is housed at the Metropolitan Museum of Art in New York. Commissioned by Sir Elijah Impey, Chief Justice of Bengal, and his wife Lady Mary in Calcutta, this painting serves as a visual record of their household during British rule in India. It reflects the trend among East India Company officers to document their possessions, animals, and servants through commissioned artworks. The level of detail captured in this piece highlights both the naturalism and equestrian expertise prevalent during that time period. The artist's mastery is evident as he skillfully portrays not only the horses' physical features but also their vibrant personalities. Through this artwork, we catch a glimpse into the intricate world of British imperialism and its impact on Indian society. It serves as a testament to the wealth and influence held by those who governed during that era while shedding light on the symbiotic relationship between humans and animals within colonial households. Overall, "A Syce (groom) Holding Two Carriage Horses" invites us to appreciate both its artistic beauty and historical significance within the context of British Raj-era India.
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