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Frontispiece to Apologia pro Galileo, Mathematico Florentino
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Frontispiece to Apologia pro Galileo, Mathematico Florentino
CHT242814 Frontispiece to Apologia pro Galileo, Mathematico Florentino by Tommaso Campanella, published in Frankfurt, 1622 (engraving) by German School, (17th century); Private Collection; (add.info.: Defense of Galileo, written in 1616; Campanella (1568-1639) was a Dominican monk, a philosopher, theologian, astrologer and poet; his heterodox philosophy, criticism of Aristotle and revolutionary New Age ideas led to his imprisonment for 27 years; on release in 1626 he later escaped to Paris, where he was protected by Richelieu; ); eArchives Charmet; German, out of copyright
Media ID 22663966
© Archives Charmet / Bridgeman Images
Bell Copernican Copernicus Enlightenment Galilee Galileo Galilei Palm Tree Renascence Vine Symbols
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EDITORS COMMENTS
The captivating frontispiece to "Apologia pro Galileo, Mathematico Florentino" by Tommaso Campanella is a visual masterpiece that encapsulates the essence of the Renaissance era. Published in Frankfurt in 1622, this engraving created by the German School in the 17th century showcases a profound blend of symbols and themes. At first glance, one's eyes are drawn to the central figure of Galileo Galilei himself, standing tall amidst a backdrop filled with celestial wonders. The sun shines brightly behind him, symbolizing enlightenment and scientific progress. Surrounding Galileo are various symbolic elements such as a bell representing communication and knowledge dissemination, while a palm tree signifies victory and triumph over adversity. Further exploration reveals intricate details like vines intertwining around Copernicus' heliocentric model of our solar system, emphasizing humanity's evolving understanding of astronomy. Additionally, Joachim of Fiore's presence alludes to his prophetic ideas about an impending new age. This print not only pays homage to Galileo but also serves as an allegory for intellectual freedom and resilience against oppressive forces. It reflects Campanella's own struggles as he faced imprisonment for his unorthodox beliefs before finding refuge in Paris under Richelieu's protection. Through its meticulous composition and rich symbolism, this artwork captures the spirit of Renaissance humanism and scientific inquiry. It stands as a testament to the enduring legacy of individuals who dared challenge conventional wisdom in pursuit of truth.
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