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Black paintings by Goya Collection (#5)

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Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 40: ¿De

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 40: ¿De
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 40: De que mal morira? (Of what ill will he die?), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 38: !Brabisimo

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 38: !Brabisimo
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 38:aBrabisimo! (Bravissimo!), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 37: ¿Si

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 37: ¿Si
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 37: Si sabra mas el discipulo? (Might not the pupil know more?), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 36: Mala noche

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 36: Mala noche (A bad night), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 33: Al

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 33: Al conde palatino (To the count palatine), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 32: Porque

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 32: Porque fue sensible (Because she was susceptible), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 27: ¿Quien

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 27: ¿Quien
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 27: Quien mas rendido? (Who more is surrendered?), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 30: Por

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 30: Por que esconderlos? (Why hide them?), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 25: Si

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 25: Si quebro el cantaro (He broke the pitcher), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 23: Aquellos polvos

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 23: Aquellos polvos (Those specks of dust), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 7: Ni

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 7: Ni asi la distingue (Even thus he cannot make her out), first edition, 1799

Background imageBlack paintings by Goya Collection: Plate 8 from the Tauromaquia : A moor caught by the bull in the ring, ca. 1816

Plate 8 from the Tauromaquia : A moor caught by the bull in the ring, ca. 1816

Background imageBlack paintings by Goya Collection: Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido

Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido
Plate 27 from Los Caprichos :Which of them is the more overcome? (Quien mas rendido?), 1799

Background imageBlack paintings by Goya Collection: Barbarous Entertainment (Barbara dibersion), 1800-1804. Creator: Francisco Goya

Barbarous Entertainment (Barbara dibersion), 1800-1804. Creator: Francisco Goya
Barbarous Entertainment (Barbara dibersion), 1800-1804

Background imageBlack paintings by Goya Collection: Mlle. Victorine in the Costume of an 'Espada', 1862. Creator: Edouard Manet

Mlle. Victorine in the Costume of an "Espada", 1862. Creator: Edouard Manet
Mlle. Victorine in the Costume of an " Espada", 1862. In the manner of Goya

Background imageBlack paintings by Goya Collection: Do not shout you idiot, 1799. Artist: Francisco Goya

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: The Shamefaced One, 1799. Artist: Francisco Goya

The Shamefaced One, 1799. Artist: Francisco Goya
The Shamefaced One, 1799. Plate 54 of Los Caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageBlack paintings by Goya Collection: The Inquisition, 1820-1823, by Francisco de Goya

The Inquisition, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Inquisition, 1820-1823. Prado Museum. Madrid. Spain

Background imageBlack paintings by Goya Collection: The Blind Guitarist, 1778, by Francisco de Goya

The Blind Guitarist, 1778, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Blind Guitarist, 1778. Prado Museum. Madrid. Spain

Background imageBlack paintings by Goya Collection: Portrait of Don Francisco de Lardizabal (ca. 1750-ca. 1818), 1

Portrait of Don Francisco de Lardizabal (ca. 1750-ca. 1818), 1
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Don Miguel de Lardizabal, 1815. National Gallery. Prague. Czech Republic

Background imageBlack paintings by Goya Collection: The Pilgrimage of San Isidro by Francisco de Goya

The Pilgrimage of San Isidro by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. The Pilgrimage to San Isidro. 1821-1823. Prado Museum. Madrid. Spain

Background imageBlack paintings by Goya Collection: Francisco JosA©De Goya Y Lucientes 1746 To 1828 Spanish Painter And Printmaker. Self Portrait

Francisco JosA©De Goya Y Lucientes 1746 To 1828 Spanish Painter And Printmaker. Self Portrait
Francisco JoseDe Goya Y Lucientes 1746 To 1828 Spanish Painter And Printmaker. Self Portrait

Background imageBlack paintings by Goya Collection: Judith and Holofernes. Artist: Goya, Francisco, de (1746-1828)

Judith and Holofernes. Artist: Goya, Francisco, de (1746-1828)
Judith and Holofernes. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Procession of the Holy Office. Artist: Goya, Francisco, de (1746-1828)

Procession of the Holy Office. Artist: Goya, Francisco, de (1746-1828)
Procession of the Holy Office. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Two Old Men Eating Soup (The Witchy Brew). Artist: Goya, Francisco, de (1746-1828)

Two Old Men Eating Soup (The Witchy Brew). Artist: Goya, Francisco, de (1746-1828)
Two Old Men Eating Soup (The Witchy Brew). Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Man Mocked by Two Women (Women Laughing or The Ministration)

Man Mocked by Two Women (Women Laughing or The Ministration). Artist: Goya, Francisco, de (1746-1828)
Man Mocked by Two Women (Women Laughing or The Ministration). Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: The Reading (Politicians). Artist: Goya, Francisco, de (1746-1828)

The Reading (Politicians). Artist: Goya, Francisco, de (1746-1828)
The Reading (Politicians). Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Witches Sabbath or The Great He-Goat. Artist: Goya, Francisco, de (1746-1828)

Witches Sabbath or The Great He-Goat. Artist: Goya, Francisco, de (1746-1828)
Witches Sabbath or The Great He-Goat. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Atropos (The Fates). Artist: Goya, Francisco, de (1746-1828)

Atropos (The Fates). Artist: Goya, Francisco, de (1746-1828)
Atropos (The Fates). Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Asmodea or Fantastic Vision. Artist: Goya, Francisco, de (1746-1828)

Asmodea or Fantastic Vision. Artist: Goya, Francisco, de (1746-1828)
Asmodea or Fantastic Vision. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Two Old Men (Two Monks). Artist: Goya, Francisco, de (1746-1828)

Two Old Men (Two Monks). Artist: Goya, Francisco, de (1746-1828)
Two Old Men (Two Monks). Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: A Pilgrimage to San Isidro. Artist: Goya, Francisco, de (1746-1828)

A Pilgrimage to San Isidro. Artist: Goya, Francisco, de (1746-1828)
A Pilgrimage to San Isidro. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Fight with Cudgels. Artist: Goya, Francisco, de (1746-1828)

Fight with Cudgels. Artist: Goya, Francisco, de (1746-1828)
Fight with Cudgels. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: Bajan rinendo. Album Witches and Old Women, ca 1820

Bajan rinendo. Album Witches and Old Women, ca 1820. Private Collection

Background imageBlack paintings by Goya Collection: Dream of a good witch (Sueno de buena echizera). Album Witches and Old Women, ca 1820

Dream of a good witch (Sueno de buena echizera). Album Witches and Old Women, ca 1820. Found in the Collection of Staatliche Museen, Berlin

Background imageBlack paintings by Goya Collection: La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

Background imageBlack paintings by Goya Collection: Witch hunt: witches, c1799 (1956)

Witch hunt: witches, c1799 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union

Background imageBlack paintings by Goya Collection: The Dog. Artist: Goya, Francisco, de (1746-1828)

The Dog. Artist: Goya, Francisco, de (1746-1828)
The Dog. Found in the collection of Museo del Prado, Madrid

Background imageBlack paintings by Goya Collection: French Penalty, between 1824 and 1828. Artist: Francisco Goya

French Penalty, between 1824 and 1828. Artist: Francisco Goya
French Penalty, between 1824 and 1828. Goya, Francisco, de (1746-1828). Found in the collection of the State Hermitage, St. Petersburg

Background imageBlack paintings by Goya Collection: Wonderful advice, 1799. Artist: Francisco Goya

Wonderful advice, 1799. Artist: Francisco Goya
Wonderful advice, 1799. Plate 15 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: And his house is on fire, 1799. Artist: Francisco Goya

And his house is on fire, 1799. Artist: Francisco Goya
And his house is on fire, 1799. Plate 18 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: It is nicely stretched, 1799. Artist: Francisco Goya

It is nicely stretched, 1799. Artist: Francisco Goya
It is nicely stretched, 1799. Plate 17 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: There they go, plucked, 1799. Artist: Francisco Goya

There they go, plucked, 1799. Artist: Francisco Goya
There they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: All will fall, 1799. Artist: Francisco Goya

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: Poor little girls!, 1799. Artist: Francisco Goya

Poor little girls!, 1799. Artist: Francisco Goya
Poor little girls!, 1799. Plate 22 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: How they pluck her!, 1799. Artist: Francisco Goya

How they pluck her!, 1799. Artist: Francisco Goya
How they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: Sleep overcomes them, 1799. Artist: Francisco Goya

Sleep overcomes them, 1799. Artist: Francisco Goya
Sleep overcomes them, 1799. Plate 34 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBlack paintings by Goya Collection: The Devout Profession, 1799. Artist: Francisco Goya

The Devout Profession, 1799. Artist: Francisco Goya
The Devout Profession, 1799. Plate 70 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain



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