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Black paintings by Goya Collection (#4)

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Background imageBlack paintings by Goya Collection: Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Background imageBlack paintings by Goya Collection: Plate 2 from Los Caprichos : They say yes and give their hand to the first comer

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

Background imageBlack paintings by Goya Collection: The cloaked man (El Embozado). Creator: Unknown

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Background imageBlack paintings by Goya Collection: Isabel of Bourbon, Queen of Spain and wife of Philip IV (D

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

Background imageBlack paintings by Goya Collection: Balthasar Carlos, Prince of Spain and Son of Philip IV (D

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778

Background imageBlack paintings by Goya Collection: The custody is as barbarous as the crime (Tan barbara la seguridad como el delito)

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Background imageBlack paintings by Goya Collection: Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya

Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya
Moenippus (Menipo Filosofo), 1778

Background imageBlack paintings by Goya Collection: Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya

Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya
Aesop (Aesopus), from Etchings after Velazquez, 1778

Background imageBlack paintings by Goya Collection: A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

Background imageBlack paintings by Goya Collection: A Maja standing against a dark background (Maja). Creator: Francisco Goya

A Maja standing against a dark background (Maja). Creator: Francisco Goya
A Maja standing against a dark background (Maja)

Background imageBlack paintings by Goya Collection: Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator

Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)

Background imageBlack paintings by Goya Collection: Narcisa Baranana de Goicoechea. Creator: Francisco Goya

Narcisa Baranana de Goicoechea. Creator: Francisco Goya
Narcisa Baranana de Goicoechea

Background imageBlack paintings by Goya Collection: Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Background imageBlack paintings by Goya Collection: Sacrifice, c. 1775-1776. Creator: Giovanni David (Italian, 1743-1790)

Sacrifice, c. 1775-1776. Creator: Giovanni David (Italian, 1743-1790)
Sacrifice, c. 1775-1776. David was the most intriguing Genoese print-maker of the 18th century. Like Francisco Goya, his Spanish contemporary, he was a very early practitioner of aquatint

Background imageBlack paintings by Goya Collection: Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya

Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya
Witch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Background imageBlack paintings by Goya Collection: Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya

Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya
Dona Isabel Cobos De Porcel, c1805, (1946). Portrait of Dona Isabel de Porcel (born c1780), wearing the black lace mantilla of a maja. Painting in the National Gallery in London

Background imageBlack paintings by Goya Collection: Lovers reclining together in the dark (black ink and wash on paper)

Lovers reclining together in the dark (black ink and wash on paper)
XKH155140 Lovers reclining together in the dark (black ink and wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x13.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Spanish

Background imageBlack paintings by Goya Collection: Couple with a Parasol, 1797 (black and grey pencil on paper)

Couple with a Parasol, 1797 (black and grey pencil on paper)
XKH155138 Couple with a Parasol, 1797 (black and grey pencil on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.1x13.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Spanish

Background imageBlack paintings by Goya Collection: 2684354

2684354

Background imageBlack paintings by Goya Collection: Bullfighting, series of etchings by Francisco de Goya

Bullfighting, series of etchings by Francisco de Goya. Plate 11: The Cid Campeador lancing another bull

Background imageBlack paintings by Goya Collection: Witchess coven (1797-1798), black painting by Francisco de Goya

Witchess coven (1797-1798), black painting by Francisco de Goya

Background imageBlack paintings by Goya Collection: Women Laughing by Francisco de Goya

Women Laughing by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. Women Laughing. 1820-1823. Prado Museum. Madrid. Spain

Background imageBlack paintings by Goya Collection: Saturn Devouring one of his Sons, 1821-23 (mural transferred to canvas)

Saturn Devouring one of his Sons, 1821-23 (mural transferred to canvas)
XIR546 Saturn Devouring one of his Sons, 1821-23 (mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 143.5x81.4 cm; Prado, Madrid

Background imageBlack paintings by Goya Collection: Francisco JosA©de Goya y Lucientes, 1746 - 1828. Spanish romantic painter and printmaker

Francisco JosA©de Goya y Lucientes, 1746 - 1828. Spanish romantic painter and printmaker
Francisco Josede Goya y Lucientes, 1746 - 1828. Spanish romantic painter and printmaker. Illustration by Gordon Ross, American artist and illustrator (1873-1946)

Background imageBlack paintings by Goya Collection: Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799

Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799
Plate 70 from Los Caprichos : Devout Profession (Devota profesion.), 1799

Background imageBlack paintings by Goya Collection: Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 4 from the Disparates : Simpleton, ca. 1816-23 (private printing ca. 1854)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (private printing ca. 1854)
Plate 4 from the Disparates : Simpleton, ca. 1816-23 (private printing ca.1854)

Background imageBlack paintings by Goya Collection: Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published 1864)

Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan

Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan.), 1799

Background imageBlack paintings by Goya Collection: Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1797-98

Background imageBlack paintings by Goya Collection: Plate 12 from Los Caprichos : Out hunting for teeth (A caza des dientes. ), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza des dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza des dientes.), 1799

Background imageBlack paintings by Goya Collection: Se mueren dying Francisco Jose de Goya y Lucientes

Se mueren dying Francisco Jose de Goya y Lucientes
Se mueren (They are dying); Francisco Jose de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828); about 1825 - 1828; Black chalk, lithographic crayon, stumping; 18.9 × 14.4 cm (7 7)

Background imageBlack paintings by Goya Collection: Young Woman Wringing Hands Mans Naked Body verso

Young Woman Wringing Hands Mans Naked Body verso
Young Woman Wringing Her Hands over a Mans Naked Body (verso), 1796-1797. Francisco de Goya (Spanish, 1746-1828). Brush and black and gray wash; sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.); image

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 18: Y

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 18: Y se le quema la casa (And the house is on fire), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 17: Bien

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 17: Bien tirada esta (It is nicely stretched), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 16: Dios la perdone

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 16: Dios la perdone: y era su madre (For Heavens sake: and it was her mother), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 14: !Qué

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 14: !Qué
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 14:aQue sacrificio! (What a sacrifice!), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 13: Estan

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 13: Estan calientes (They are hot), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 10: El

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 10: El amor y la muerte (Love and death), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 11: Muchachos

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 11: Muchachos al avio (Lads making ready), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 8: Que

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 8: Que se la llevaron (So they carried her off!), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 9: Tantalo

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 9: Tantalo (Tantalus), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 45: Mucho

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 45: Mucho hay que chupar (There is plenty to suck), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 44: Hilan delgado

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 44: Hilan delgado (They spin finely), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 42: Tú

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 42: Tú
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 42: Tu que no puedes (Thou who cannot), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 43: El

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 43: El sueno de la razon produce monstruos (The Sleep of Reason Produces Monsters), first edition, 1799

Background imageBlack paintings by Goya Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 41: Ni

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 41: Ni mas ni menos (Neither more nor less), first edition, 1799



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