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Study of a man on a cross. Drawing by Alunno, in the British Museum in London
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Study of a man on a cross. Drawing by Alunno, in the British Museum in London
Study of a man on a cross. Drawing by Alunno, in the British Museum in London Great Britain London, British Museum Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1918 ca.. Date of Artwork:1445-1502. Artist:Alunno, Niccol di Liberatore da Foligno, known as (ca. 1420-1502)
Anderson
ADA-F-018702-0000
Media ID 33147614
© Alinari Archives, Florence
Functions And Treatments For The Body Intimate Loincloth Malehigh Renaissance Pain Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable drawing titled "Study of a man on a cross" by Alunno, displayed in the prestigious British Museum in London, Great Britain. The artwork itself dates back to the period between 1445 and 1502, created by the talented artist Niccol di Liberatore da Foligno, also known as Alunno. The photograph was captured around 1918 and offers us an intimate glimpse into this profound piece of art. The drawing exemplifies the artistic styles prevalent during the High Renaissance and Renaissance-Baroque periods in Europe. It beautifully combines elements of pain, allegory, abstract concepts, and symbols. The central focus of this masterpiece is a male figure suspended on a cross with utmost precision and attention to detail. The artist skillfully portrays both physiological and psychological aspects through his depiction of the human body's nude form adorned only with a loincloth. This study explores various functions and treatments for the body while expressing deep emotional resonance. Alunno's work not only reflects individual expression but also encompasses broader themes within European history from both the first and second millennium A. D. Its timeless appeal resonates even today due to its exploration of fashion, clothing choices, as well as its significance within societal norms. As we admire this photograph taken by Anderson from Alinari (not affiliated with any company), we are transported back in time to appreciate one artist's interpretation of life during these influential periods in art history.
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