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The Virgin and Child before a Firescreen, c. 1440. Artist: Campin, Robert, (School)

The Virgin and Child before a Firescreen, c. 1440. Artist: Campin, Robert, (School)


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The Virgin and Child before a Firescreen, c. 1440. Artist: Campin, Robert, (School)

The Virgin and Child before a Firescreen, c. 1440. Found in the collection of the National Gallery, London

Heritage Images features heritage image collections

Media ID 15013076

© Fine Art Images

Campin Christ Child Early Netherlandish Art Family Life Fireplace Holy Family Luck Madonna Del Latte Madonna Lactans Madonna Of The Milk Maria Lactans Maternity Nursing Madonna School Tempera And Oil On Wood The Netherlands Early Netherlandish Painting Mother Of God


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > C > Robert Campin

> Arts > Artists > H > Robert Home

> Arts > Artists > N > Netherlandish School

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Oil paintings

> Europe > Netherlands > Paintings

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images

> Europe > United Kingdom > England > London > Art > Paintings


EDITORS COMMENTS
This print showcases "The Virgin and Child before a Firescreen" painted by Robert Campin in the early 15th century. The artwork, found in the esteemed collection of the National Gallery in London, depicts a tender moment between the Virgin Mary and baby Jesus. Set within an intimate interior space, this painting invites us into a domestic scene that exudes warmth and tranquility. The firescreen behind them not only serves as a decorative element but also symbolizes protection from worldly temptations. Campin's meticulous attention to detail is evident in his use of tempera and oil on wood, which brings depth and richness to the colors. This piece belongs to the Early Netherlandish art movement, characterized by its emphasis on naturalistic representation. "The Virgin and Child before a Firescreen" captures both the sacredness of motherhood and the humanity of family life. It reminds us of Mary's role as both Mother of God and an earthly mother nurturing her child with love and devotion. As we admire this masterpiece, we are transported back in time to witness this timeless bond between mother and child. Through its exquisite craftsmanship, this painting continues to inspire awe for its beauty while serving as a testament to Campin's artistic genius within Renaissance art history.

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