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Stallion and Kicking Mare with Wild Horses, 1534. Creator: Hans Baldung

Stallion and Kicking Mare with Wild Horses, 1534. Creator: Hans Baldung


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Stallion and Kicking Mare with Wild Horses, 1534. Creator: Hans Baldung

Stallion and Kicking Mare with Wild Horses, 1534

Heritage Images features heritage image collections

Media ID 36351671

© Heritage Art/Heritage Images

1530s Baldung Grien Baldung Grien Hans Baldung Hans Grien Baldung Grien Hans Baldung Grun Hans Baldung Hans Baldung Hans Baldung Grien Hans Baldung Grun Kicked Kicking Mare Sire Stallion Wild Animal Wild Animals Wild Horse Wild Horses


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EDITORS COMMENTS
Hans Baldung's masterpiece, "Stallion and Kicking Mare with Wild Horses," dates back to the 1530s and is a prime example of the artistic prowess of the Renaissance period. This woodcut, now housed at the Los Angeles County Museum of Art in the United States, showcases the dynamic interplay between a dominant stallion and a kicking mare, surrounded by a herd of wild horses. The image, created by the German artist Hans Baldung, also known as Hans Baldung Grien, is a visual representation of the raw power and unbridled energy of these magnificent animals. The black and white contrast adds depth and texture to the intricate details of the horses' muscular forms and expressive faces. The central figure, a stallion, exudes strength and dominance as he stands over a mare, who fiercely kicks out in defense. The wild horses in the background add a sense of chaos and freedom, emphasizing the untamed nature of these animals. The woodcut's intricate details and bold lines capture the essence of the horses' movements and emotions, transporting viewers to a time long past. This artwork, a testament to the artistic heritage of the 16th century, continues to captivate audiences with its raw energy and stunning visual appeal. The Los Angeles County Museum of Art is privileged to display this masterpiece, allowing visitors to appreciate the beauty and power of these wild horses and the artistic skill of Hans Baldung.

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