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St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
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St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle). An inscription in gothic letters identifies the sitter and dates the work: In the year 1438, I painted this effigy of Master Heinrich von Werl, Doctor of Cologne. Oil on oak panel. Held in the Museo del Prado, Madrid. From Galerias De Europa: Museo Del Prado, by A. De Beruete y Moret & Augusto L. Mayer. [Editorial Labor, S.A. Barcelona, c1934]
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Media ID 14981717
© The Print Collector
A De Beruete Altarpiece August Liebmann August Liebmann Mayer Augusto L Mayer Aureliano De Aureliano De Beruete Beruete Campin Flemalle Franciscan Galerias De Europa Heinrich Von John The Baptist Lamb Master Master Of Master Of Flemalle Mayer Monk Monks Museo Del Prado Northern Renaissance Prayer Robert Campin Saint John Saint John The Baptist Sheep St John St John The Baptist Triptych Worship Worshipping
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EDITORS COMMENTS
This print showcases the left panel of the Werl Triptych, a masterpiece painted by Robert Campin in 1438. The panel depicts St. John the Baptist and the Franciscan master Henry of Werl, both figures exuding an aura of spiritual devotion. Standing against a stunning landscape backdrop, Heinrich von Werl is portrayed holding a sheep, symbolizing his role as a shepherd guiding his flock towards salvation. The artist's meticulous attention to detail is evident in every brushstroke, capturing the rich colors and textures of this religious scene. The inscription in gothic letters adds historical significance to the artwork, revealing that it was created during a time when faith played an integral part in people's lives. Housed within the esteemed Museo del Prado in Madrid, this oil on oak panel painting has become an iconic representation of Northern Renaissance art. Its inclusion in Galerias De Europa: Museo Del Prado publication further solidifies its importance within art history. As we gaze upon this image, we are transported back to 15th-century Flanders where worshipers would gather before such altarpieces for prayer and contemplation. The print collector who captured this moment has allowed us to witness firsthand the beauty and reverence evoked by Campin's masterful brushwork. In preserving this piece through photography, we can now appreciate not only its artistic brilliance but also its cultural significance as a testament to Christian devotion during one of history's most transformative periods.
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