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Satyr and Nymph with Birds. Module of a wallpaper, c.1525. Creator: Beham, Hans Sebald (1500-1550)

Satyr and Nymph with Birds. Module of a wallpaper, c.1525. Creator: Beham, Hans Sebald (1500-1550)


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Satyr and Nymph with Birds. Module of a wallpaper, c.1525. Creator: Beham, Hans Sebald (1500-1550)

Satyr and Nymph with Birds. Module of a wallpaper, c.1525. Private Collection

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Media ID 36361295

© Fine Art Images/Heritage Images

1525 Beham Greek Goddess Hans Sebald 1500 1550 Maenads Nereid Nereids Nude Painting Nude Woman Nymph Nymphs Satyr Satyrs Wallpaper


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Hans Sebald Beham

> Arts > Literature

> Europe > Germany > Paintings

> Europe > Greece > Paintings

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Historic > Ancient civilizations > Ancient Greece > Greek history

> Historic > Ancient civilizations > Ancient Greece > Greek mythology

> Historic > Renaissance art


EDITORS COMMENTS
This exquisite woodcut print, titled "Satyr and Nymph with Birds," is a captivating masterpiece from the Renaissance era, created by the renowned German artist Hans Sebald Beham around 1525. The image serves as a module for a wallpaper, showcasing Beham's exceptional skill in capturing the essence of mythology and the natural world. At the center of the composition, a nymph, a woodland goddess, is depicted in all her nude glory. Her youthful and graceful form is adorned with flowers and vines, symbolizing her connection to nature. She is surrounded by a group of playful satyrs, half-human, half-animal creatures, who are known for their mischievous and lustful nature. The satyrs, with their horns and animalistic features, are in various stages of revelry, some playing musical instruments, others drinking from a wine skin, and one even attempting to court the nymph. The scene is further enhanced by the presence of birds, which add a sense of tranquility and harmony to the composition. The Nereids, sea goddesses, are also depicted in the background, adding an element of water and fluidity to the woodcut. The use of nudity in the print is not only a reflection of the artistic norms of the time but also an allegory for the natural world and its abundant beauty. Beham's mastery of the woodcut technique is evident in the intricate details of the print, from the textures of the foliage to the expressive faces of the satyrs. This beautiful work of art is a testament to the artistic achievements of the Renaissance period and continues to inspire and captivate viewers to this day.

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