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Portrait of Francis Eginton (1737-1805), 1796. Creator: James Millar
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Portrait of Francis Eginton (1737-1805), 1796. Creator: James Millar
Portrait of Francis Eginton (1737-1805), 1796. His masterpiece is The Conversion of St. Paul, for the east window of St Pauls Church, Birmingham
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Media ID 20634378
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Birmingham Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Enlightenment Francis Hands Clasped James Millar Millar Millar James St Pauls Church Pauls Church Posture
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EDITORS COMMENTS
Portrait of Francis Eginton (1737-1805), captured in 1796 by James Millar, showcases the remarkable talent and contribution of this esteemed artist. Known for his masterpiece, 'The Conversion of St. Paul, ' which adorns the east window of St. Paul's Church in Birmingham, Eginton has left an indelible mark on British art. In this portrait, Eginton is depicted seated with hands clasped, exuding a sense of wisdom and contemplation. Dressed in a distinguished coat that reflects the fashion trends of the eighteenth century, he embodies the spirit of enlightenment prevalent during his time. Millar's skillful use of oil paints brings depth to every brushstroke, capturing not only Eginton's physical appearance but also his inner essence as a man deeply rooted in Christianity and religious beliefs. As we gaze upon this artwork at Birmingham Museum and Art Gallery, we are transported back to a bygone era when men like Francis Eginton played pivotal roles in shaping our cultural heritage. The black background serves as a striking contrast against which his figure stands out prominently. This portrait serves as a testament to both artists' mastery and their significant contributions to British art history. It invites us to appreciate not only their technical prowess but also their ability to capture the essence of an individual through paintbrushes and canvas.
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