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Namara-Toye, Mme. portrait photograph, 1912. Creator: Arnold Genthe
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Namara-Toye, Mme. portrait photograph, 1912. Creator: Arnold Genthe
Namara-Toye, Mme. portrait photograph, 1912
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Media ID 36299363
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Banks Marguerite Evelyn Cecilia Hand On Head Marguerite Evelyn Cecilia Banks Marguerite Namara Marguerite Namara Toye Musical Namara Marguerite Opera Singer Soprano Studio Portrait Toye Marguerite Namara Glass Negatives Posture Vocalist
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This portrait captures the elegant and enigmatic presence of Mme. Namara-Toye, an American opera singer of the early 20th century. The photograph, taken by renowned German-American photographer Arnold Genthe in 1912, showcases Mme. Namara-Toye in a full-length, studio portrait, dressed in an ornate, high-collared dress with intricate beading and lace detailing. The singer's hand is delicately placed on her head, drawing attention to her expressive face and piercing gaze. Marguerite Evelyn Cecilia Banks, better known by her stage name Marguerite Namara or Marguerite Namara-Toye, was a celebrated soprano who graced the stages of various opera houses in the United States during the 1910s. Her captivating voice and magnetic stage presence earned her a devoted following, making her a prominent figure in the world of American performing arts. This black and white, glass negative image, now held in the Library of Congress, offers a glimpse into the heritage of American arts and entertainment during the 1910s. The portrait not only showcases the fashion trends of the era, but also highlights the unique character and charm of a remarkable woman who left an indelible mark on the world of opera. Mme. Namara-Toye's poised and still posture, coupled with her striking appearance, exudes an air of sophistication and elegance that continues to captivate viewers over a century later. This timeless portrait serves as a testament to the enduring legacy of Arnold Genthe's photography and the indomitable spirit of a remarkable woman who defied conventions and captivated audiences with her voice and presence.
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