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Naito Shinjuku at Yotsuya (Yotsuya Naito Shinjuku), from the series “One Hundred Famous... 1857. Creator: Ando Hiroshige
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Naito Shinjuku at Yotsuya (Yotsuya Naito Shinjuku), from the series “One Hundred Famous... 1857. Creator: Ando Hiroshige
Naito Shinjuku at Yotsuya (Yotsuya Naito Shinjuku), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857
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Media ID 36208587
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Edo Japan Hoof Hooved Oban One Hundred Famous Views Of Edo Perspective Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
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EDITORS COMMENTS
Naito Shinjuku at Yotsuya" is a captivating woodblock print from the renowned series "One Hundred Famous Views of Edo" created by Ando Hiroshige in 1857. This exquisite work of art showcases the Naito residence in Shinjuku, Tokyo, during the Edo period of Japan. The print offers a unique perspective of the exterior of the building, with its intricate architectural details and the contrast between the brown structures and the vibrant colors of the hooved animals and their riders in the foreground. Ando Hiroshige, also known as Hiroshige I or Ichiyusai Hiroshige, was a prominent figure in the Ukiyo-e artistic school. His works are characterized by their meticulous attention to detail, and this print is no exception. The background is populated with people going about their daily lives, adding a sense of movement and energy to the scene. The print measures oban size and is a testament to the mastery of color woodblock printing during the nineteenth century. The intricate design and rich colors make it a prized possession for art enthusiasts and collectors around the world. The Tokugawa period, during which this print was created, is an important chapter in Japanese history, and this work of art offers a glimpse into the daily life and culture of the time. The Art Institute of Chicago is fortunate to have this masterpiece in its collection, where it continues to inspire and captivate visitors from all corners of the globe. The print's unusual composition and the unusual juxtaposition of the animals and the building make it a standout piece in the institute's extensive collection of Asian art.
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