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Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass, 1807-1808. Creator: Nicolai Abraham Abildgaard

Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass, 1807-1808. Creator: Nicolai Abraham Abildgaard


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Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass, 1807-1808. Creator: Nicolai Abraham Abildgaard

Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass, 1807-1808

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Abildgaard Nicolai Abraham Apuleius Apuleius Lucius Platonicus Changing Classicism Distraught Donkey Horror Lover Lucius Metamorphism Metamorphosis Nicolai Abildgaard Nicolai Abraham Abildgaard Scandinavia Scandinavian Transformation Transforming Upset Ancient Roman Dane Danes National Gallery Of Denmark Statens Museum For Kunst The Golden Ass


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> Arts > Realistic drawings > Animal portraits > Fine art

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EDITORS COMMENTS
Fotis' Distraught Reaction to Lucius' Metamorphosis into an Ass: A Scene from Apuleius' The Golden Ass, 1807-1808, by Nicolai Abraham Abildgaard This oil painting by Danish artist Nicolai Abraham Abildgaard, produced between 1807 and 1808, depicts a poignant moment from Apuleius' ancient Roman novel, The Golden Ass. The story follows Lucius, a young man who is transformed into an ass as a result of his own foolish actions and the malevolent intentions of a witch. In this scene, Lucius' beloved Fotis, a country girl, encounters him in his new form, her face contorted with shock, disbelief, and deep sadness. The painting is a prime example of the Neoclassical style, with its focus on ancient Greek and Roman themes, and the use of muted colors and subtle lighting to create a sense of depth and emotion. The setting is a rustic, idyllic landscape, with rolling hills, trees, and a clear blue sky, adding to the contrast between the beauty of nature and the horrific transformation of Lucius. Fotis, dressed in traditional peasant clothing, is shown with her hands covering her face, her eyes wide with terror and despair. Lucius, in the form of an ass, stands before her, his eyes filled with a mixture of fear and longing. The painting captures the intense emotional connection between the two figures, as well as the sense of loss and betrayal that Fotis feels. The painting is a testament to Abildgaard's mastery of the oil painting technique, with its intricate details, lifelike textures, and subtle color palette. It is a powerful and moving work of art that continues to captivate viewers with its timeless themes of love, transformation, and the human condition.

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