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Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank
![Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank](/p/731/crinolina-consequences-recto-1865-36300321.jpg.webp "Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank")
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Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank
Crinolina - and the Consequences [recto], 1865
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Media ID 36300321
© Heritage Art/Heritage Images
Burning Consequence Crinoline Cruikshank George Devil George Cruikshank Graphic Hoop Skirt Hooped Hoopskirt Petticoat Visual Consequences Parody Satirical
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EDITORS COMMENTS
Crinolina and the Consequences" is a satirical drawing by renowned English artist George Cruikshank, created in 1865. The image depicts a woman wearing a large crinoline or hoop skirt, a popular fashion trend during the nineteenth century. The voluminous skirt, which was supported by a cage-like structure, caused quite a stir and presented numerous challenges in everyday life. In this humorous drawing, Cruikshank illustrates the potential hazards of wearing such an extravagant garment. The woman, dressed in her crinoline, is shown riding a horse, but the horse seems to be having difficulty with the large skirt, causing it to buck and rear up. The woman's face is contorted in fear, and she holds on tightly to the reins. The consequences of the crinoline are further emphasized by the presence of the devil, who sits atop the horse, grinning mischievously. He appears to be enjoying the chaos caused by the skirt and seems to be encouraging the horse to behave badly. The devil's presence serves as a reminder of the potential danger and inconvenience that came with wearing such a fashionable, yet impractical, garment. The drawing is executed in pen and black ink with watercolour and scratching out around the ghostly eyes of the devil on the right. The use of colour adds to the whimsical and satirical nature of the image, making it a visual commentary on the absurdities of fashion and the consequences that come with following trends blindly. This drawing is a testament to Cruikshank's skill as a graphic artist and his ability to use humour and satire to critique society and its follies. It is a valuable addition to the collection of the National Gallery of Art in Washington D.C., where it can be appreciated by art lovers and historians alike.
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