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Up Right Collection (#8)

"Up Right: Exploring the Depths of Human Creativity and Brilliance" In the vast realm of human achievement

Background imageUp Right Collection: Vessel from 2nd c. BC. Iron Age. Ceramics. SPAIN

Vessel from 2nd c. BC. Iron Age. Ceramics. SPAIN. Barcelona. Archaeology Museum of Catalonia. Proc: SPAIN. Cabrera de Mar

Background imageUp Right Collection: MADRAZO, Jos頨1781-1859). Jos頤e Espronceda

MADRAZO, Jos頨1781-1859). Jos頤e Espronceda
MADRAZO, Jos頨 1781-1859). Jos頤 e Espronceda. ca. 1840. Neoclassicism. Oil on canvas. SPAIN. Madrid. National Library

Background imageUp Right Collection: Council of Toledo (6th-7th c. ). Illustration

Council of Toledo (6th-7th c. ). Illustration
" Council of Toledo (6th-7th c.). Illustration of the work " Primacic de la Iglesia Toledana" (Primacy of the Toledan Church), 13th c. Romanesque art. Miniature Painting. SPAIN

Background imageUp Right Collection: Miraveche dagger, Second Iron Age (6th-3rd c

Miraveche dagger, Second Iron Age (6th-3rd c. BC). Iron Age. Decorative Arts. SPAIN. Burgos. Burgos Museum. Proc: SPAIN. Miraveche

Background imageUp Right Collection: RICCI, Matteo (1552-1610). Italian Jesuit priest

RICCI, Matteo (1552-1610). Italian Jesuit priest, one of the founding figures of the Jesuit China Mission. Engraving

Background imageUp Right Collection: James I the Conqueror. ca. 1587-1588. Oil on

James I the Conqueror. ca. 1587-1588. Oil on canvas. SPAIN. Barcelona. Montjuic Castle Military Museum

Background imageUp Right Collection: LEO XIII (1810-1903). Pope (1878-1903). Oil on

LEO XIII (1810-1903). Pope (1878-1903). Oil on canvas. ITALY. Venice. Galleria internazionale di Arte Moderna Ca Pesaro (Ca Pesaro International Gallery of Modern Art)

Background imageUp Right Collection: DAGUERRE, Louis-Jacques-Mande (1787-1851). French

DAGUERRE, Louis-Jacques-Mande (1787-1851). French inventor that improved the photography. Litography

Background imageUp Right Collection: MENGS, Anton Raphael (1728-1779). Portrait of

MENGS, Anton Raphael (1728-1779). Portrait of Charles III. 1761. Neoclassicism. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageUp Right Collection: RUSSIA. Moscow. Design by Alexander Benois for

RUSSIA. Moscow. Design by Alexander Benois for

Background imageUp Right Collection: VALDɓLEAL, Juan de (1622-1690). In Ictu Oculi

VALDɓLEAL, Juan de (1622-1690). In Ictu Oculi
VALDɓ LEAL, Juan de (1622-1690). In Ictu Oculi. ca. 1671. SPAIN. Sevilla. Church of San Jorge at the Hospital de la Caridad. Baroque art. Oil on canvas

Background imageUp Right Collection: Poster announcing the performance of Joan of

Poster announcing the performance of Joan of Arc by Sarah Bernhardt in the Renaissance Theater. Work by Eugene Grasset. Art Nouveau. Painting. Private Collection

Background imageUp Right Collection: MEMLING, Hans (1433-1494). Deposition from the

MEMLING, Hans (1433-1494). Deposition from the Cross. 1470s. Flemish art. Oil on wood. SPAIN. Granada. Royal Chapel

Background imageUp Right Collection: War axes of the Second Iron Age. From Pruneda

War axes of the Second Iron Age. From Pruneda, Requejo and Coru񡠤 el Conde. Iron Age. Metals. SPAIN. Madrid. National Museum of Archaeology

Background imageUp Right Collection: COLERIDGE, Samuel Taylor (1772-1834); Dore, Paul

COLERIDGE, Samuel Taylor (1772-1834); Dore, Paul Gustave (1832-1883). The Rime of the Ancient Mariner. 1877. Scene of death and the lady. Litography

Background imageUp Right Collection: Vase of the Hallstatt Culture (9th-5th c. BC. )

Vase of the Hallstatt Culture (9th-5th c. BC. )
Vase of the Hallstatt Culture (9th-5th c. BC.). Iron Age. Ceramics. SPAIN. Solsona. Diocesan and Regional Museum. Proc: SPAIN. CATALONIA. Solson賮

Background imageUp Right Collection: Poster advertising the bullfighting season at

Poster advertising the bullfighting season at the old bullring of Barcelona (1913). Painting

Background imageUp Right Collection: GUAS, Juan (1430-1496). Church of Saint John

GUAS, Juan (1430-1496). Church of Saint John of the Kings. ca. 1477-1494. SPAIN. Toledo. Monastery of San Juan de los Reyes. Main nave. Gothic art. Architecture

Background imageUp Right Collection: Council of Toledo (6th-7th c. ). Picture from

Council of Toledo (6th-7th c. ). Picture from
" Council of Toledo (6th-7th c.). Picture from the work " Primacic de la iglesia toledana" (13th c.). Romanesque art. Miniature Painting. SPAIN. Madrid. National Library."

Background imageUp Right Collection: Advertisement sign for absinthe Mugnier, 1895

Advertisement sign for absinthe Mugnier, 1895
" Advertisement sign for absinthe " Mugnier", 1895. Engraving."

Background imageUp Right Collection: Telemachus and Mentor. 1770. Made by Royal Fabric

Telemachus and Mentor. 1770. Made by Royal Fabric
" Telemachus and Mentor. 1770. Made by Royal Fabric " Buen Retiro" from Madrid. Neoclassicism. China / Porcelain. SPAIN. Madrid. National Museum of Archaeology."

Background imageUp Right Collection: Ali Bey (1728-1773). Mamluk sultan from 1760-1772

Ali Bey (1728-1773). Mamluk sultan from 1760-1772. Engraving

Background imageUp Right Collection: Head of Hermes. 4th c. BC. Classical Greek art

Head of Hermes. 4th c. BC. Classical Greek art. Sculpture on marble. SPAIN. Barcelona. Archaeology Museum of Catalonia

Background imageUp Right Collection: Vultures. Engraving after a drawing by a F. Padr

Vultures. Engraving after a drawing by a F. Padr
Vultures. Engraving after a drawing by a F.Padr󮠠

Background imageUp Right Collection: Victor Emmanuel III (1869-1947). Engraving

Victor Emmanuel III (1869-1947). Engraving

Background imageUp Right Collection: GHIRLANDAIO, Ridolfo (1483-1561). Portrait of

GHIRLANDAIO, Ridolfo (1483-1561). Portrait of Chritopher Columbus. 1st half 16th c. Oil on canvas. ITALY. Genoa. Pegli. Navy Museum

Background imageUp Right Collection: TARREGA Y EIXEA, Francisco (1852-1909). Engraving

TARREGA Y EIXEA, Francisco (1852-1909). Engraving. Engraving

Background imageUp Right Collection: MURILLO, Bartolom項steban (1617-1682). Boy with

MURILLO, Bartolom項steban (1617-1682). Boy with
MURILLO, Bartolom項 steban (1617-1682). Boy with a dog. 1655 - 1660. Baroque art. Oil on canvas. RUSSIA. Saint Petersburg. State Hermitage Museum

Background imageUp Right Collection: ALMEIDA GARRET, Joao Baptista de (1799-1854)

ALMEIDA GARRET, Joao Baptista de (1799-1854). Portuguese romantic poet, playwright, and politician. Engraving

Background imageUp Right Collection: MENGS, Anton Raphael (1728-1779). Ferdinand IV

MENGS, Anton Raphael (1728-1779). Ferdinand IV, King of Naples. 1760. Portrait in 1760, at the age of nine. Neoclassicism. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageUp Right Collection: DENIS BELGRANO, Jos頨1844-1917). The Exit from

DENIS BELGRANO, Jos頨1844-1917). The Exit from
DENIS BELGRANO, Jos頨 1844-1917). The Exit from

Background imageUp Right Collection: FELIU DE LA PENYA, Narc�( -1712). Spanish historian

FELIU DE LA PENYA, Narc�( -1712). Spanish historian
" FELIU DE LA PENYA, Narc� ( -1712). Spanish historian, lawyer, economist and industrialist. " F鮩 x de Catalu񡦱 uot; " (Barcelona, 1683)."

Background imageUp Right Collection: Self-portrait. ca. 1512. Renaissance art. Cinquecento

Self-portrait. ca. 1512. Renaissance art. Cinquecento

Background imageUp Right Collection: Glazed tile with farmers working the land. Ceramics

Glazed tile with farmers working the land. Ceramics. SPAIN. Cervera. Cervera Museum

Background imageUp Right Collection: BORRELL, Pedro (1835-1910). Portrait of Jaume

BORRELL, Pedro (1835-1910). Portrait of Jaume Balmes. 2nd half 19th c. Oil on canvas. SPAIN. Barcelona. Gallery of Famous Catalans. Requesens Palace

Background imageUp Right Collection: GERASIMOV, Mikhail Mikhailovich (1907-1970)

GERASIMOV, Mikhail Mikhailovich (1907-1970); Ivan IV Vasilyevich the Terrible (1530-1584). Tsar of Russia (1534-1584) and Great Duke of Moscow (1533-47)

Background imageUp Right Collection: ZURBARAN, Francisco de (1598-1664). Saint Gregory

ZURBARAN, Francisco de (1598-1664). Saint Gregory the Great. 1626-1627. Baroque art. Oil on canvas. SPAIN. Sevilla. Fine Arts Museum

Background imageUp Right Collection: VILADOMAT i MANALT, Antoni (1678-1755). The First

VILADOMAT i MANALT, Antoni (1678-1755). The First Fall of Jesus. 1722-1737. SPAIN. Matar󮠂 asilica of Saint Mary. Third Station of Via Crucis. Baroque art. Oil

Background imageUp Right Collection: Rousseau, Henri (1844-1910). The Muse inspiring

Rousseau, Henri (1844-1910). The Muse inspiring the Poet (Portrait of Guillaume Apollinaire and Marie Laurencin). 1909. Post-Impressionism. Oil on canvas. RUSSIA. Moscow. Pushkin Museum of Fine Arts

Background imageUp Right Collection: OVID, Publius Ovidius Naso (43 BC-18). Latin

OVID, Publius Ovidius Naso (43 BC-18). Latin
" OVID, Publius Ovidius Naso (43 BC-18). Latin poet. " Metamorphoses". Edition published in Venice in 1584. Book I."

Background imageUp Right Collection: Perov, Vasily (1833-1882). Portrait of Fyodor

Perov, Vasily (1833-1882). Portrait of Fyodor Dostoyevsky. 1872. Oil on canvas. RUSSIA. Moscow. Tretyakov Gallery

Background imageUp Right Collection: PINZON, Mart�Alonso Yᱥz ( -1493). Spanish

PINZON, Mart�Alonso Yᱥz ( -1493). Spanish
PINZON, Mart� Alonso Yᱥ z ( -1493). Spanish sailor. Painting. SPAIN. Madrid. Navy Museum

Background imageUp Right Collection: Lariviere, Charles-Philippe-Auguste (1798-1876)

Lariviere, Charles-Philippe-Auguste (1798-1876). Equestrian portrait of Jean Parisot de la Valette, 49th Grand Master of the Knights Hospitaller. 1842. Oil on canvas. FRANCE. Versailles

Background imageUp Right Collection: BEARDSLEY, Aubrey Vincent (1872-1898). Balzac

BEARDSLEY, Aubrey Vincent (1872-1898). Balzac
" BEARDSLEY, Aubrey Vincent (1872-1898). Balzac. 1890s. Design of the covers of " Scenes of Parisian Life" from " La Com餩 e humaine" of Balzac. Engraving."

Background imageUp Right Collection: Iguanas. Specie of lizard. Engraving after a

Iguanas. Specie of lizard. Engraving after a

Background imageUp Right Collection: Dore, Paul Gustave (1832-1883). The Rime of the

Dore, Paul Gustave (1832-1883). The Rime of the
" Dore, Paul Gustave (1832-1883). The Rime of the Ancient Mariner. 1877. Illustrated edition of Samuel Taylor Coleridges work " The Rime of the Ancient Mariner"

Background imageUp Right Collection: MADRAZO, Federico (1815-1894). Carolina Coronado

MADRAZO, Federico (1815-1894). Carolina Coronado. ca. 1855. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageUp Right Collection: SPAIN. Bicorp. La Ara񡠃ave. Deers and goats

SPAIN. Bicorp. La Ara񡠃ave. Deers and goats
SPAIN. Bicorp. La Ara񡠃 ave. Deers and goats (8000-7000 BC). Mesolithic art. Cave



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"Up Right: Exploring the Depths of Human Creativity and Brilliance" In the vast realm of human achievement, there exists a common thread that binds together the works of geniuses across time and space. From Santiago Ramon Y Cajal's intricate Cortical grey matter schema to Michelangelo's awe-inspiring Sistine Chapel, these masterpieces stand tall as testaments to the indomitable spirit of human creativity. Antonello da Messina's Virgin Annunciate captures a moment frozen in time, where divinity meets humanity with grace and elegance. Meanwhile, RAMON Y CAJAL, Santiago unveils the intricacies of our own minds through his groundbreaking research on neural structures. The Eyck brothers' collaboration brings forth an ethereal beauty in their paintings - Jan van Eyck and Hubert van Eyck transport us to worlds both real and imagined. Fernando Pessoa's poetic words dance off pages like musical notes, evoking emotions that transcend language barriers. Giovanni Lorenzo Bernini immortalizes Pluto in stone with such lifelike precision that one can almost feel his presence. And who can forget Michelangelo's David? A symbol of strength and resilience carved from marble with unparalleled skill. Jules Verne takes us on extraordinary adventures through his vivid illustrations, igniting our imaginations beyond what we thought possible. SANTI di TITO paints Niccolo with such realism that it feels as if he could step out from the canvas at any moment. Benedict de Spinoza challenges conventional wisdom through his philosophical ideas while Michelangelo's Madonna of Bruges emanates maternal love so palpable it touches our souls. These remarkable individuals have left an indelible mark on history by pushing boundaries, defying expectations, and embracing their unique visions. They remind us that greatness lies within each one of us if only we dare to reach for it – standing up right against all odds.