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Sguardo Collection

Through the lens of time, the power of a gaze transfixes us in art

Background imageSguardo Collection: Resolute

Resolute
Filippo Manini

Background imageSguardo Collection: Marika

Marika
Alessandro Lorenzoni

Background imageSguardo Collection: Sguardo 2

Sguardo 2
Giordano Affolti

Background imageSguardo Collection: Self-Portrait 69 Years Old (oil on canvas, 1815)

Self-Portrait 69 Years Old (oil on canvas, 1815)
LRI4605952 Self-Portrait 69 Years Old (oil on canvas, 1815) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageSguardo Collection: Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366072 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imageSguardo Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageSguardo Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageSguardo Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageSguardo Collection: Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366074 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imageSguardo Collection: Infante Isabella of Spain dressed as a religious of the Order of the Clares

Infante Isabella of Spain dressed as a religious of the Order of the Clares
LRI4611175 Infante Isabella of Spain dressed as a religious of the Order of the Clares (oil on canvas, 1621) by Rubens, Peter Paul (1577-1640); Palatine Gallery, Pitti Palace

Background imageSguardo Collection: L interieur de chez Bruant (Aristide, 1851-1925): le mirliton - In the Aristide

L interieur de chez Bruant (Aristide, 1851-1925): le mirliton - In the Aristide
5455616 L interieur de chez Bruant (Aristide, 1851-1925): le mirliton - In the Aristide Bruants Montmartre club Le Mirliton par Anquetin, Louis (1861-1932), 1886-1887 - Oil on canvas


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Through the lens of time, the power of a gaze transfixes us in art. From the resolute stare of a 69-year-old artist in his Self-Portrait (1815), to the enchanting embrace of The Graces and Cupid (1820-22), the depth of human connection is captured in these timeless masterpieces. The detail of their faces and gazes, carved in marble or painted on canvas, tell stories of love, devotion, and the passage of time. The Descent of Christ to the Limbo (1522) in the Medici Chapel offers a glimpse into the divine, while Infante Isabella of Spain's pious gaze in her religious attire (date unknown) reflects the power of faith. In the world of Aristide, the mirliton's alluring gaze (1851-1925) invites us to lose ourselves in the moment. The power of the gaze, captured in art, transcends time and space, leaving us in awe of the human experience.