Sanguine Collection (#4)

Design Vase mid-18th century Pen black ink brush
Artokoloro

The Most Rev. William Alexander, Archbishop of Armagh
The Most Rev. William Alexander 1824-1911, Archbishop of Armagh and Primate of all Ireland (1899). Staples, Sir Robert Ponsonby Bt. 1853 - 1943. Date: 1899

Head of a Monk. Legros, Alphonse 1837-1911

The Bostonians in distress, en sanguine engraving 1774, Bostonians held captive in a cage suspended from the Liberty Tree

Louis d Or au soleil, en sanguine engraving 1705, Louis XIV sitting next to a table, head resting on his left elbow which rests on his left knee; he is asleep

Consequences of a successful French invasion, , artist, [London] : Js. Gillray, 1798 March 1st. en sanguine engraving, French soldiers pillaging and destroying the House of Lords

The ghost a Christmas frolic le revenant, en sanguine engraving 1814, a boy with a mannequin ghost holding a candle frightens several guests at an intimate party

Gloria Mundi, or The Devil addressing the sun Pare. Lost, Book IV, Gillray, James, 1756-1815, artist, London, engraving 1782

Summer amusement, Bugg hunting, Old couple catching bedbugs. en sanguine engraving

Portrait of a Young Girl (chalk and sanguine on paper)
XIR905292 Portrait of a Young Girl (chalk and sanguine on paper) by Boucher, Francois (1703-70); Musee Grobet-Labadie, Marseille, France; (add.info.: Portrait de jeune fille ); French

Empress Eugenie (black & red chalk)
XIR741459 Empress Eugenie (black & red chalk) by Carpeaux, Jean-Baptiste (1827-75); Musee des Beaux-Arts Jules Cheret, Nice

Auguste Lepašre, Rue Saint-Severin, French, 1849 - 1918, published 1901, wood engraving printed in sanguine

Cesare Pollini (Italian, c. 1560 - c. 1600), Studies of a Holy Family, pen and brown ink with brown and pink wash, heightened with white gouache, on laid paper washed sanguine

Ventura Salimbeni (Italian, 1568 - 1613), The Birth of the Virgin, 1605-1610, pen and brown and red ink with brown and sanguine wash over red chalk

Claude Gillot, Scene from The Tomb of Master Andra, French, 1673 - 1722, c
Claude Gillot, Scene from " The Tomb of Master Andra© ", French, 1673-1722, c. 1705-1708, red chalk with light mauve, sanguine, and brown wash with pen and black ink

Portrait of Louis XIV as a child (red chalk on paper)
XIR414675 Portrait of Louis XIV as a child (red chalk on paper) by French School, (17th century); 15.3x11.5 cm; Bibliotheque de l Ecole des Beaux-Arts, Paris

Small girl sitting on the ground (red chalk on paper)
XIR397919 Small girl sitting on the ground (red chalk on paper) by Fragonard, Jean-Honore (1732-1806); 38 x 28 cm; Musee des Beaux-Arts, Besancon

John Bull, baited by the dogs of excise, en sanguine engraving 1790, British satire on efforts by William Pitt, George Rose, and some members of Parliament to impose new Excise duties on tobacco (cf)

The parricide A sketch of modern patriotism, en sanguine engraving, a woman wearing a feathered headdress, representing America, stepping on Britannias broken spear and shield

A certain cabinet junto, en sanguine engraving 1775, King George III, speechless (his caption balloon is empty), seated on the right in a high-backed chair at a table

The political cartoon for the year 1775, en sanguine engraving shows George III and Lord Mansfield, seated on an open chaise drawn by two horses labeled Obstinacy and Pride

The horse America, throwing his master, en sanguine engraving shows a horse America throwing its rider, George III

The patriotick barber of New York, or the Captain in the suds, en sanguine engraving, a New York barber refusing to finish shaving a customer after learning of his British identity

The American rattle snake, en sanguine engraving shows American snake, the emblem used by Americans as a device on their flag before the adoption of the stars and stripes

The commissioners interview with congress, Darly, Matthew, active 1741-1780, en sanguine engraving 1778, three members of congress standing beneath palm trees outlining their demands for peace to

The old maid, en sanguine engraving

The able doctor, or, America swallowing the bitter draught, en sanguine engraving shows Lord North, with the Boston Port Bill extending from a pocket

De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd Paard van Troje, en sanguine engraving 1720, satire on the South Sea Company and other bubble schemes of 1720

York town, en sanguine engraving shows America receiving the surrender of Cornwallis in the background, while an emaciated cow representing English commerce is robbed of her milk by France, Spain

Quinquanpolix, en sanguine engraving a Dutch satire on John Law of Lauriston, promoter of the Mississippi Company and other bubble schemes of the year 1720; it is No. 21 in vol. i

De ridder der Louisen doende de revu over zyne troupen, Goldsmit, Fredrich, artist, en sanguine engraving 1705, on the left, Louis, the Duke of Burgundy, identified as Louis Le Petit

Affairs. The sweet prospect behind us, or The outs in office, Dent, William, active 1783-1793, publisher, en sanguine engraving 1789, rear views of the Prince of Wales, Maria Fitzherbert

An English jack-tar giving monsieur a drubbing, London : Robert Sayer, en sanguine engraving 1779, The Victory is associated with the French and British naval battle off Ushant in July 1778

Noahs Ark improved, or an attempt to land in the teeth of the wind, Holland, William, active 1782-1817, en sanguine engraving 1790

A word of comfort, Dent, William, active 1783-1793, en sanguine engraving 1790, a British satire on the efforts of Charles James Fox to get the Test and Corporation Acts repealed

The political drama. No. 61. Old grill among the paddies, en sanguine engraving 1832?, William Cobbett riding on a large gridiron borne by a ragged troop of caricatured Irishmen in a procession

Florizel and Perdita, en sanguine engraving 1780s, a bust portrait divided vertically by a line down the center of the face, left half of face representing the Prince of Wales

Portrait of Louis XIV as a child (red chalk on paper)
XIR391158 Portrait of Louis XIV as a child (red chalk on paper) by Champaigne, Philippe de (1602-74); 16 x 12.6 cm; Louvre (Cabinet de dessins), Paris

The Resurrection of Christ, c. 1536-38 (red chalk on paper)
XIR172468 The Resurrection of Christ, c.1536-38 (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); 15.1x16.8 cm; Louvre, Paris, France; Italian, out of copyright

Sketch of a roaring lion (red chalk on paper)
XIR161992 Sketch of a roaring lion (red chalk on paper) by Vinci, Leonardo da (1452-1519); 10x17.7 cm; Musee Bonnat, Bayonne, France; Italian, out of copyright

Giovanni Antonio Faldoni after Parmigianino (Italian, c. 1690-c. 1770), Nude Man Blowing a Conch, 1735, etching and engraving printed in sanguine on laid paper

A Certain Cabinet Junto, En Sanguine Engraving 1775, King George Iii, Speechless (his Caption Balloon Is Empty), Seated On The Right In A High-backed Chair At A Table

The Parricide A Sketch Of Modern Patriotism, En Sanguine Engraving, A Woman Wearing A Feathered Headdress, Representing America, Stepping On Britannias Broken Spear And Shield

The Political Cartoon For The Year 1775, En Sanguine Engraving Shows George Iii And Lord Mansfield, Seated On An Open Chaise Drawn By Two Horses Labeled Obstinacy And Pride

The Horse America, Throwing His Master, En Sanguine Engraving Shows A Horse America Throwing Its Rider, George Iii

The Patriotick Barber Of New York, Or The Captain In The Suds, En Sanguine Engraving, A New York Barber Refusing To Finish Shaving A Customer After Learning Of His British Identity

The American Rattle Snake, En Sanguine Engraving Shows American Snake, The Emblem Used By Americans As A Device On Their Flag Before The Adoption Of The Stars And Stripes

Quinquanpolix, En Sanguine Engraving A Dutch Satire On John Law Of Lauriston, Promoter Of The Mississippi Company And Other Bubble Schemes Of The Year 1720; It Is No. 21 In Vol. I

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"Sanguine: A Glimpse into the Complexities of Human Nature" In the 16th century, the concept of Four Temperaments emerged, categorizing individuals based on their dominant personality traits. Among these temperaments was "sanguine, " representing a lively and optimistic disposition. This captivating portrait from 1921, titled "Portrait of Clara Zetkin, " by Nikolai Andreevich Andreev, captures the essence of sanguinity. As we delve into this artwork, we find ourselves in an unexpected setting – a woman in prison. The juxtaposition between her confinement and her sanguine temperament raises intriguing questions about resilience and inner strength even amidst adversity. Andreev's meticulous study of a woman reveals intricate details that bring forth both vulnerability and determination. Perhaps it is through her unwavering optimism that she finds solace within these walls. The deserted farmhouse at Freeman's Reach further adds to the enigma surrounding our subject. What ill fate has befallen this once-thriving place? Yet, against all odds, there remains an air of hope lingering within its dilapidated walls – reminiscent of our sanguine protagonist's spirit. Moving beyond physicality, we encounter various portraits depicting women who exude confidence and grace. Each stroke on canvas tells a story; each expression conveys resilience in different forms. Steinlen's "Two Nude Models" showcases not only beauty but also celebrates diversity as two distinct figures intertwine harmoniously—a testament to embracing individuality while finding harmony with others. Within this collection lies another dimension – male figure studies that explore human anatomy with great precision. These studies remind us that beneath external appearances lie complex emotions waiting to be understood—emotions which can often embody shades of sanguinity. Finally, a small girl sitting on the ground catches our attention—a symbol of innocence untouched by societal expectations or constraints—an embodiment of untainted optimism.