Philippe De Champaigne Collection (#3)

The Dream of Saint Joseph, c1636. Artist: Philippe de Champaigne
The Dream of Saint Joseph, c1636. Found in the collection of the National Gallery, London

The Prevot des Marchands and the Echevins of the city of Paris, 1648. Artist: Philippe de Champaigne
The Prevot des Marchands and the Echevins of the city of Paris, 1648. From the collection of the Louvre, Paris, France

Cardinal Richelieu, c1637, (18th century). Armand Jean Duplessis, Duc de Richelieu (1585-1642), French prelate and statesman

Cardinal Richelieu, French prelate and statesman, 1640. Artist: Philippe de Champaigne
Cardinal Richelieu, French prelate and statesman, 1640. Armand Jean Duplessis, Duc de Richelieu (1585-1642) was made a Cardinal in 1622

View Jerusalem Temple Solomon 17th century Red chalk
Artokoloro

Annunciation ca 1644 Oil oak Overall 28 x 28 3 / 4
Artokoloro

Presentation Virgin 17th century Black chalk
Artokoloro

philippe de champaigne, louvre, paris, france, vintage, old print, 19th century, victorian
Philippe de Champaigne, Louvre, Paris, France

Philippe de Champaigne, French (1602-1674), Omer Talon, 1649, oil on canvas

Nicolas de Plattemontagne after Philippe de Champaigne, French (1631-1706), The Body
Nicolas de Plattemontagne after Philippe de Champaigne (French, 1631 - 1706), The Body of Christ, 1654, engraving on laid paper

Robert Nanteuil after Philippe de Champaigne (French, 1623 - 1678), Charles Benoise, 1651, engraving

Jean Morin after Philippe de Champaigne (French, c. 1600 - 1650), Omer Talon, etching and engraving

Michel Lasne after Philippe de Champaigne (French, 1590 or before - 1667), Jacques Thubeuf, engraving on laid paper

Antoine Singlin; Philippe de Champaigne, French, born Belgium, 1602 - 1674; about 1646; Oil on canvas; Unframed: 79.1 x 65.1 cm (31 1/8 x 25 5/8 in.)

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Philippe de Champaigne, a prominent French Baroque-era painter, left an indelible mark on the art world with his exquisite works. One of his notable masterpieces is "The Last Supper, " painted around 1652 and now housed in the Louvre Museum in Paris. This oil-on-canvas painting captures the solemnity and significance of this biblical event. In addition to religious subjects, de Champaigne also excelled in portraiture. His skill is evident in his captivating portrait of Bishop Jean-Pierre Camus, created in 1643. The meticulous details and use of light showcase de Champaigne's talent for capturing human expression. Collaborating with engraver Gerard Edelinck, de Champaigne's work extended beyond traditional paintings. Their collaboration resulted in powerful engravings such as "Moise" from 1699 and a portrait of Philippe himself from 1676. These pieces demonstrate their ability to convey emotion through intricate lines and shading. "The Sacrifice of Isaac, " another remarkable oil-on-canvas creation by de Champaigne, showcases his ability to depict dramatic scenes with precision and depth. The intensity captured within this artwork leaves viewers captivated by its emotional impact. De Champaigne was not limited to religious or historical themes; he also portrayed royalty like Louis XIII during his coronation ceremony. Through careful brushstrokes, he immortalized significant moments that shaped history. Born Flemish but finding fame within the French school, Philippe de Champaigne's artistic prowess transcended borders. His legacy lives on through various mediums such as engravings like those depicting Moses holding the Ten Commandments or Solomon and Bath-sheba. One cannot overlook De Champaigne's contribution to society through portraiture either; one example being a presumed depiction of Jean Baptiste Colbert—a man who played a crucial role during France's reign under Louis XIV—showcasing the artist's ability to capture the essence of his subjects.