Perspective Collection (#100)

The British Museum Print Room, c1901.From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

A Lane With Cottages, c1820. Artist: Peter de Wint
A Lane With Cottages, c1820. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

The British Nave at the Great Exhibition of 1851, The Crystal Palace, c1854
The British Nave at the Great Exhibition of 1854, The Crystal Palace, c1851. Illustrations from Dickinsons Comprehensive Pictures of the Great Exhibition of 1851

High Street, Oxford, 1905. Artist: Edmund Hort New
High Street, Oxford, 1905. From The Studio Volume 64. [London Offices of the Studio, London, 1915]

The Italian Marienkirche, Vienna, c1900. Artist: Arthur Beresford Pite
The Italian Marienkirche, Vienna, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

View of Paris, Showng The Seven Bridges, 1882. From Cities of the World: their origin, progress and present aspect, by Edwin Hodder [Cassell & Company Ltd. London, 1882]

Pisa, 1818. Artist: Charles Theodosius Heath
Pisa, 1818. After E. F. Batty. [Rodwell & Martin, London, 1818]

The Celebration of the Auto-Da-Fee or Act of Faith in the Inquisition, 1769. From Englands bloody tribunal: or, Popish cruelty displayed, by Matthew Taylor. [J. Cooke, London, 1769]

Tour D Horloge, Dinan, c. 1907. Artist: William Henry Charlton
Tour D Horloge, Dinan, c.1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

The Whistler Memorial Exhibition, Boston, 1904. The Whistler Memorial Exhibition, Boston opened, 23rd February 1904, in the Copley Hall, Boston. From The Studio Volume 31

Roslin Chapel, 1838. Artist: John Ruskin
Roslin Chapel, 1838. From The Studio Volume 19. [London Offices of the Studio, London, 1900]

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Upper Terrace, Villa Imperiale, Genoa, 1900. Artist: George Samuel Elgood
Upper Terrace, Villa Imperiale, Genoa, 1900. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Dinant, 1907. Artist: David Young Cameron
Dinant, 1907. Etching held in The Art Institute of Chicago, Chicago. From The Studio Volume 44. [London Offices of the Studio, London, 1908]

A Majorcan Street Scene, 20th century (1931). Artist: Cecil Aldin
A Majorcan Street Scene, 20th century (1931). From The Studio Volume 102, [London Offices of the Studio, London, 1931]

The Bathing Pool on board S. S. Empress of Britain, 1931. Artist: Stewart Bale Limited
The Bathing Pool on board S.S. Empress of Britain, 1931. The Empress of Britain was launched 11 June 1930 by HRH Prince of Wales. It was sunk 28th October 1940 during service in WWII

The Canal at Rickmansworth, 1908 (1935). Artist: John William Buxton Knight
The Canal at Rickmansworth, 1908 (1935). After the painting by J. W. Buxton Knight. From Modern Masterpieces Part 11. [George Newnes Ltd, London, 1935]

Old Street, Market Street, Westminster, 1820 (1897). From Old and New London Vol III by Edward Walford. [Cassell and Company Ltd, London, 1897]

Toil, Glitter, Glime and Wealth, 1883 (1935). Artist: William Lionel Wyllie
Toil, Glitter, Grime and Wealth on a Flowing Tide, 1883 (1935). After the painting by W. L. Wyllie, R.A. From Modern Masterpieces Part 8. [George Newnes Ltd, London, 1935]

The First Day of Oysters, 1863. Artist: William Greatbach
The First Day of Oysters, 1863. After George Smith

A lone group of royal mourners: Queen Mary with the Princess Royal, 1936
A lone group of royal mourners: Queen Mary with the Princess Royal and her daughters-in-law, after the departure of the coffin, waiting at Kings Cross to drive to Buckingham Palace, 1936

View of the Sun Room in daylight, showing the three windows and columns, 1930
View of the Sun Room in daylight, showing the three windows and column at the far end, lit at night by blue lights, 1930. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Tirley Court, Cheshire: East Side, 1908. Artist: Charles Edward Mallows
Tirley Court, Cheshire: East Side, 1908. A design for the garden and house at Tirley Garth in Cheshire by the renowned Arts & Crafts architect Charles Edward Mallows. From The Studio Volume 46

River Lyn, Lynmouth, c1908. Artist: Photochrom Co Ltd of London
River Lyn, Lynmouth, c1908. From Penroses Pictorial Annual, Vol. XIV, edited by William Gamble. [A.W. Penrose & Co. Ltd, London, 1908-9]

Granada. Interior of the Cartuja. The Sacristy, c1908. Artist: Universal Process Engraving Co Ltd
Granada. Interior of the Cartuja. The Sacristy, c1908. From Penroses Pictorial Annual, Vol. XIV, edited by William Gamble. [A.W. Penrose & Co. Ltd, London, 1908-9]

Grizedale Hall, Lancashire: The South Front and Terrace, c1911. Grizedale Hall was a large country house at Grizedale, Hawkshead in the Lake District in Cumbria, England

Tree and Woodpath, c19th century. Artist: Giovanni Fattori
Tree and Woodpath, c19th century. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

Ramsgate, c1895. Artist: John William Buxton Knight
Ramsgate, c1895. From The Studio Volume 43. [London Offices of the Studio, London, 1908]

Near Gouda, 19th century. Artist: Willem Roelofs
Near Gouda, 19th century. From The Studio Volume 43, [London Offices of the Studio, London, 1908]

King George VI and Queen Elizabeth attending a luncheon to celebrate coronation, 1937
King George VI and Queen Elizabeth attending a luncheon given in the Kings honour to celebrate the Kings first visit to The City after his coronation, 1937

Crowds on Oxford Street during the bank holiday which followed King George VIs coronation, 1937. From The Coronation of King George VI and Queen Elizabeth. [Odhams Press Ltd. London, 1937]

The State Coach leaves Westminster Abbey after the coronation of King George VI, 1937. From The Coronation of King George VI and Queen Elizabeth. [Odhams Press Ltd. London, 1937]

Gilded Crowns for the Mall, 1937. Preparing the gilded crowns that were to adorn The Mall on the occasion of King George VIs coronation. From The Coronation of King George VI and Queen Elizabeth

Changing the Interior of the Abbey, 1937. The construction of seating in Westminster abbey for King George VIs coronation

Great Tower of Windsor Castle From Peascod Street, 1902. Artist: Thomas Robert Way
Great Tower of Windsor Castle From Peascod Street, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

The Garden Fronts of Hampton Court Palace, 1902. Artist: Thomas Robert Way
The Garden Fronts of Hampton Court Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

The Vista, Kensington Palace, 1902. Artist: Thomas Robert Way
The Vista, Kensington Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

The Kings Gallery, Kensington Palace, 1902. Artist: Thomas Robert Way
The Kings Gallery, Kensington Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

General View of St. Jamess Palace, From Pall Mall, 1902. Artist: Thomas Robert Way
General View of St. Jamess Palace, From Pall Mall, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

The Courtyard and Gateway of Richmond Palace, 1902. Artist: Thomas Robert Way
The Courtyard and Gateway of Richmond Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

The Procession Into The Abbey, 1937. Queen Elizabeths procession moving along the Nave of Westminster Abbey, followed by the procession of her husband King George VI, on the day of their coronation

Swan Court, Chelsea, 1932. Swan Court, Chelsea Manor Street, London SW3. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

Les Paveurs de la Rue de Berne, 1878. Artist: Edouard Manet
Les Paveurs de la Rue de Berne, 1878. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

House in Grosvenor Road Westminster - The Stoa Looking West. G. and A. Gilbert Scott, Architects, c1921. 29 Grosvenor Road, Westminster, became The Riviera Dance Club which was one of London

Cottage Among Fields, c1890. Artist: Vincent van Gogh
Cottage Among Fields, c1890. From The Studio Volume 120. [The Studio Ltd. London & New York, 1940]

Lane and Cottages, c1800. Artist: Thomas Girtin
Lane and Cottages, c1800. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Hove Beach, with Fishing Boats, c1824. Artist: John Constable
Hove Beach, with Fishing Boats, c1824. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Town Hall, Cologne, c1841. Artist: William Leighton Leitch
Town Hall, Cologne, c1841. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

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"Through the misty dawn, Glastonbury Tor stands tall, reminding us of the power in shaping our perception. In Somerset, England, the Cat that Walked by Himself teaches us to see things from different angles and embrace diverse viewpoints. As we wander through Aberystwyth in West Wales, we realize how a change in they are unveil hidden beauty in unexpected places. Hanging on famous White Bay in Jost Van Dyke, British Virgin Islands, a hammock invites us to relax and reflect on life's wonders. The beach at Clearwater in Florida beckons with its endless horizon, reminding us that sometimes all it takes is a shift in perspective to find tranquility. Sand dunes and beaches stretch out before us at Camber Sands near Rye, England. Here we learn that even nature's grandeur can be appreciated differently when viewed from various vantage points. Transporting ourselves back to Christmas Eve 1915 through Stanhope A Forbes' artwork reminds us of the importance of historical context and how it shapes our understanding. Chatsworth House nestled within Peak District National Park showcases architectural brilliance while encouraging us to consider perspectives beyond our own. On the Isle of Skye's Old Man of Storr, we witness nature's majesty and understand that every viewpoint offers something unique. Jalama Beach County Park near Lompoc reveals California's coastal charm as waves crash against rocks—yet another reminder that each view holds its own allure. Hogarth's False Perspective challenges our preconceived notions about art and encourages exploration beyond what meets the eye. Finally, standing atop Avon's Old Severn Bridge transports us across time as well as space—a testament to human ingenuity shaped by changing perspectives throughout history. "