Old Man Collection (#100)

The Supper at Emmaus, c. 1614-21
XAM74850 The Supper at Emmaus, c.1614-21 by Caravaggio, Michelangelo (1571-1610) (follower of); 154x198.5 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

Gonella, the Ferrara court jester, c. 1445 (panel)
XAM74801 Gonella, the Ferrara court jester, c.1445 (panel) by Fouquet, Jean (c.1420-80); 36x24 cm; Kunsthistorisches Museum, Vienna, Austria; French, out of copyright

Illustrations of the Book of Job; Job accepting Charity, 1825 (pen, w / c and pencil)
XND70237 Illustrations of the Book of Job; Job accepting Charity, 1825 (pen, w/c and pencil) by Blake, William (1757-1827); 19.9x15.1 cm; Private Collection; English, out of copyright

St. Jerome (oil on canvas)
XAM67667 St. Jerome (oil on canvas) by Giordano, Luca (1634-1705); 62x59.2 cm; Private Collection; Italian, out of copyright

The Seven Works of Mercy, 1607 (oil on canvas)
XAL60357 The Seven Works of Mercy, 1607 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 390x260 cm; Pio Monte della Misericordia, Naples

Winter, engraved by Philip Galle, c. 1580 (engraving)
XJF448299 Winter, engraved by Philip Galle, c.1580 (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

A draughtsman taking details for a portrait, using a perspective apparatus for drawing onto glass
XJF440654 A draughtsman taking details for a portrait, using a perspective apparatus for drawing onto glass, from Course in the Art of Drawing by Albrecht Durer

Beggars receiving alms, 1648 (etching)
XJF416576 Beggars receiving alms, 1648 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

Beggar in a high cap, c. 1630 (etching)
XJF416579 Beggar in a high cap, c.1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

Thomas Haaringh, c. 1655 (etching)
XJF412275 Thomas Haaringh, c.1655 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; (add.info.: Thomas Haaringh (d.1660) Dutch Bailiff of the Court of Insolvents

The Russians in 1812, 1855 (oil on canvas)
BAL322429 The Russians in 1812, 1855 (oil on canvas) by Przhceslavski, Konstantin (1828-1908); Borodino, Mozhaysky, Moscow Oblast, Russia; (add.info.: French invasion of Russia; ); Polish

Samuel and Eli, engraved by S. Allen, from The National Illustrated Family Bible
KW320835 Samuel and Eli, engraved by S. Allen, from The National Illustrated Family Bible, published c.1870 (litho) by Copley

Expectancy, from Leisure Hour, 1888 (engraving)
XJF315786 Expectancy, from Leisure Hour, 1888 (engraving) by Bates, Dewey (1851-99) (after); Private Collection; American, out of copyright

Where have you been to my pretty maid?, from Leisure Hour, 1888 (engraving)
XJF315760 Where have you been to my pretty maid?, from Leisure Hour, 1888 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Rex et Regina de Tunis (chalk on paper)
XJF311697 Rex et Regina de Tunis (chalk on paper) by Vinci, Leonardo da (1452-1519); Private Collection; Italian, out of copyright

The First Book of Urizen, plate 1, 1794 (relief etching with w / c)
XYC309855 The First Book of Urizen, plate 1, 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Cosimo de Medici, from Crabbs Historical Dictionary, published 1825
KW309129 Cosimo de Medici, from Crabbs Historical Dictionary, published 1825 (litho) by English School, (19th century); Private Collection; (add.info)

Charon, the Ferryman of Hell, from The Divine Comedy (Inferno) by Dante Alighieri
XJF393884 Charon, the Ferryman of Hell, from The Divine Comedy (Inferno) by Dante Alighieri (1265-1321) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving) by Dore

Aboriginal Australians. Old and Young Man. Port Phillip, 1850

Sketch of a male head and two legs (charcoal on paper)
XIR80144 Sketch of a male head and two legs (charcoal on paper) by Buonarroti, Michelangelo (1475-1564); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Italy; Italian

St. Anthony Abbot (panel)
BAL77026 St. Anthony Abbot (panel) by Coxie or Coxcie, Michiel I (1499-1592); 38x28.5 cm; Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

St. Jerome, c. 1540-50 (oil on panel)
XAM76986 St. Jerome, c.1540-50 (oil on panel) by Reymerswaele, Marinus van (c.1490-c.1567); 80x108 cm; Kunsthistorisches Museum, Vienna, Austria; Netherlandish, out of copyright

Albrecht Durers Father, 1497 (panel)
BAL72628 Albrecht Durers Father, 1497 (panel) by Durer or Duerer, Albrecht (1471-1528) (attr. to); 51x40.3 cm; National Gallery, London, UK; German, out of copyright

Rev. John Pickering, c. 1777-80
BAL72378 Rev. John Pickering, c.1777-80 by Wright of Derby, Joseph (1734-97); 81x69.5 cm; Private Collection; English, out of copyright

King George II, 1759
BAL72348 King George II, 1759 by Pine, Robert Edge (1730-88); 221x143.5 cm; Audley End, Essex, UK; (add.info.: George II (1683-1760)); English, out of copyright

Portrait of Cardinal Manning, from The Century Illustrated Monthly Magazine
KW293350 Portrait of Cardinal Manning, from The Century Illustrated Monthly Magazine, May to October, 1883 (litho) by American School

Jerusalem Highgates heights & Hampstead
XYC291040 Jerusalem Highgates heights & Hampstead.. plate 84, from Jerusalem the Emanation of the Giant Albion by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold) by Blake

Deaths Door, pl. 12, illustration from The Grave, A Poem by William Blake
XYC290781 Deaths Door, pl.12, illustration from The Grave, A Poem by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Self Portrait (oil on canvas)
XIR70469 Self Portrait (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 62.5x52 cm; Louvre, Paris, France; Italian, out of copyright

Tobias healing his fathers sight, 1733 (oil on canvas)
XIR468123 Tobias healing his fathers sight, 1733 (oil on canvas) by Parrocel, Pierre (1670-1739); Musee des Beaux-Arts, Marseille, France; (add.info.: Tobie rend la vue a son pere; ); French

Death of Tobiass Father, 1733 (oil on canvas)
XIR468121 Death of Tobiass Father, 1733 (oil on canvas) by Parrocel, Pierre (1670-1739); Musee des Beaux-Arts, Marseille, France; (add.info.: Mort du pere de Tobie; ); French, out of copyright

Carnal Security introduces his wife and daughters to Tender Conscience, illustration
KW265410 Carnal Security introduces his wife and daughters to Tender Conscience, illustration from The Pilgrims Progress by John Bunyan (1628-88) (colour litho) by English School

Christians Arrival at the Wicket Gate, illustration from The Pilgrim s
KW265404 Christians Arrival at the Wicket Gate, illustration from The Pilgrims Progress by John Bunyan (1628-88) (colour litho) by English School

Amor warms the hands of an old man, Lambertus Antonius Claessens, 1803

Portrait of an old man with closed eyes, Jean Zacherie Mazel, 1802-1884

Bust of an old man with beard, Willem Cornelis van Dijk, Salomon Savery, 1841 - 1881

Portrait of the Artist at his Easel, 1660 (oil on canvas)
XIR267677 Portrait of the Artist at his Easel, 1660 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 111x90 cm; Louvre, Paris

Head of an Old Man, Lucas Franchoys (II), Anthony van Dyck, 1626 - 1681

Old man leaning on a stick, Johannes Bisschop, 1784 - 1837

Old man sitting in an armchair, J. B. Bernaert, Salomon Koninck, 1796
Old man sitting in an armchair, J.B. Bernaert, Salomon Koninck, 1796

Head of an old man (Joseph), Augustinus Terwesten (I), 1672 - 1711

Old man with walking stick, Simon Klapmuts, 1744 - 1780

The recognition, illustration from Nicholas Nickleby by Charles Dickens
KW259155 The recognition, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; Ken Welsh; English

Head of an old man with glasses, Anthonie van den Bos, 1778 - 1838

Portrait of an Old Man, probably Vercellino Olivazzi, Senator from Bergamo, attributed to Giambattista Moroni, 1560 - 1570

The Staff of Old Age (oil on canvas)
XIR231277 The Staff of Old Age (oil on canvas) by Roehn, Jean Alphonse (1799-1864); 65x46.5 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

A Retired Sea Captain from Massachusetts, 1879 (oil on canvas)
XBP229214 A Retired Sea Captain from Massachusetts, 1879 (oil on canvas) by Johnson, Eastman (1824-1906); Private Collection; Photo eBoltin Picture Library; American, out of copyright

Old Man in his Study, George Gillis Haanen, 1833

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"Capturing the Essence of Age: A Glimpse into the World of Old Men" Edward Lear Aged 73 and a Half and His Cat Foss, Aged 16 (litho): Celebrating the bond between an old man and his feline companion, standing strong through the years. I Am Still Learning (Aun Aprendo) (charcoal on paper): Reminding us that age is no barrier to acquiring knowledge and wisdom; we are forever students in life's classroom. Local Character, 1931: Unveiling the unique charm of an elderly individual whose presence adds color to their community, embodying a rich tapestry of stories and experiences. King Lear and the Fool in the Storm, Act III Scene 2 from King Lear by Shakespeare: The tempests faced by old men symbolize their resilience amidst life's trials, as depicted in this iconic scene from literature. Reading the Scriptures, 1874. Creator: Thomas Waterman Wood: An intimate portrayal capturing an old man finding solace in faith while immersing himself in sacred texts. Mr Oliver Firrell, blacksmith of Matfield Green, Kent. 1938: Paying homage to skilled craftsmen like Mr Firrell who have dedicated their lives to traditional trades that shape our communities. A Peep at the Train, India, 1892 (pencil and w/c on paper): Transporting us back in time when steam engines fascinated people across generations – reminding us how technology has evolved over time. The Pasta Eater -19th century (oil on canvas): Reflecting upon simple pleasures enjoyed by older generations – savoring a warm plate of pasta with contentment etched across weathered faces. Thailand farmers: Honoring hardworking individuals who have spent their lives tilling fields under scorching suns, their resilience and dedication feeding nations.