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Nereid Collection (#2)

In the mystical world of mythology, Nereid reigns as one of the most enchanting creatures. Known as Crenaia, the nymph of the Dargle, she embodies beauty and grace

Background imageNereid Collection: Study for Commerce or the Triumph of the Thames, 1767/80. Creator: James Barry

Study for Commerce or the Triumph of the Thames, 1767/80. Creator: James Barry
Study for Commerce or the Triumph of the Thames, 1767/80

Background imageNereid Collection: Stories from Virgil - The Death of Camilla

Stories from Virgil - The Death of Camilla
The death of Camilla, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Background imageNereid Collection: Pan and Nymph Syrinx. Artist: Ulyanov, Nikolai Pavlovich (1875-1949)

Pan and Nymph Syrinx. Artist: Ulyanov, Nikolai Pavlovich (1875-1949)
Pan and Nymph Syrinx. Private Collection

Background imageNereid Collection: Nymph Ismene, 1878. Artist: Landelle, Charles (1821-1908)

Nymph Ismene, 1878. Artist: Landelle, Charles (1821-1908)
Nymph Ismene, 1878. Found in the collection of the Art Gallery of New South Wales

Background imageNereid Collection: Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo

Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Nereids and Triton, c1753-1762, (1928). Nereids and a triton with a dolphin, , pen with wash on white paper. British Museum, London

Background imageNereid Collection: The Siren (La Sirene), 1896

The Siren (La Sirene), 1896
The Siren (La Sire ne), 1896. Found in the Collection of Musee d art moderne et contemporain, Saint-E tienne Me tropole

Background imageNereid Collection: A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus

A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish
FLO4687013 A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish. Museo Naz. XXII, Stabiae

Background imageNereid Collection: Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae

Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae
FLO4687010 Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile

Background imageNereid Collection: Censer with the image of the god Tlaloc. Ceramic

Censer with the image of the god Tlaloc. Ceramic
Censer with the image of the god Tlaloc, the god of rain. Ceramic. Colima style (El Chanal). Early Postclassic Period (900-1250 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Background imageNereid Collection: Nations of Europe ballets, 17th century. 17th century. Creator: Anon

Nations of Europe ballets, 17th century. 17th century. Creator: Anon
Nations of Europe ballets, 17th century

Background imageNereid Collection: Bell Krater (Mixing Bowl), about 450 BCE. Creator: Niobid Painter

Bell Krater (Mixing Bowl), about 450 BCE. Creator: Niobid Painter
Bell Krater (Mixing Bowl), about 450 BCE

Background imageNereid Collection: Triumph of Amphitrite, n. d. Creator: Francoise Verdier

Triumph of Amphitrite, n. d. Creator: Francoise Verdier
Triumph of Amphitrite, n.d

Background imageNereid Collection: Hydria (Water Jar), about 515-500 BCE. Creator: Leagros Group

Hydria (Water Jar), about 515-500 BCE. Creator: Leagros Group
Hydria (Water Jar), about 515-500 BCE. A terracotta jar, wider at the top with a narrow neck and small handles, decorated in black, featuring human figures against red

Background imageNereid Collection: View of the Loggia di Galatea, 1511-1514 (fresco)

View of the Loggia di Galatea, 1511-1514 (fresco)
2646173 View of the Loggia di Galatea, 1511-1514 (fresco) by Italian School, (16th century); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646183 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646181 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646178 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco)

The Triumph of Galatea, 1513-14 (fresco)
2646174 The Triumph of Galatea, 1513-14 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646180 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: Palazzina (Small Building): view of the first room and its frescoes representing episodes from

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962671 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console

Background imageNereid Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646179 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageNereid Collection: Loggia of Galatea

Loggia of Galatea
2646169 Loggia of Galatea by Italian School, (16th century); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina, the Loggia of Galatea: frescoes)

Background imageNereid Collection: Palette with Sea Nymph (Nereid) Riding on a Sea Monster, 1st century B. C

Palette with Sea Nymph (Nereid) Riding on a Sea Monster, 1st century B. C
Palette with Sea Nymph (Nereid) Riding on a Sea Monster, 1st century B.C./early 1st century A.D. Ancient region of Gandhara (modern Pakistan)

Background imageNereid Collection: Thetis Mourning the Body of Achilles, 1780. Creator: Henry Fuseli

Thetis Mourning the Body of Achilles, 1780. Creator: Henry Fuseli
Thetis Mourning the Body of Achilles, 1780

Background imageNereid Collection: Neptune and Amphitrite Flanked by Jupiter and Juno: Design for Painted Hall or Garden

Neptune and Amphitrite Flanked by Jupiter and Juno: Design for Painted Hall or Garden Bench, n.d

Background imageNereid Collection: Stater Coin Depicting the Nymph Parthenope, 325-241 BCE. Creator: Unknown

Stater Coin Depicting the Nymph Parthenope, 325-241 BCE. Creator: Unknown
Stater Coin Depicting the Nymph Parthenope, 325-241 BCE

Background imageNereid Collection: Drachm (Coin) Depicting the Nymph Amphitrite, 216-203 BCE. Creator: Unknown

Drachm (Coin) Depicting the Nymph Amphitrite, 216-203 BCE. Creator: Unknown
Drachm (Coin) Depicting the Nymph Amphitrite, 216-203 BCE

Background imageNereid Collection: Stater (Coin) Depicting the Siren Parthenope, 280-241 BCE. Creator: Unknown

Stater (Coin) Depicting the Siren Parthenope, 280-241 BCE. Creator: Unknown
Stater (Coin) Depicting the Siren Parthenope, 280-241 BCE

Background imageNereid Collection: The Wedding of Peleus and Thetis, 1636. Creator: Peter Paul Rubens

The Wedding of Peleus and Thetis, 1636. Creator: Peter Paul Rubens
The Wedding of Peleus and Thetis, 1636

Background imageNereid Collection: The Wedding Feast of Peleus and Thetis, 1636-79. Creator: Frans van den Wyngaerde

The Wedding Feast of Peleus and Thetis, 1636-79. Creator: Frans van den Wyngaerde
The Wedding Feast of Peleus and Thetis, 1636-79

Background imageNereid Collection: Reverse Copy of Thetis and Chiron, 1546. Creator: Unknown

Reverse Copy of Thetis and Chiron, 1546. Creator: Unknown
Reverse Copy of Thetis and Chiron, 1546

Background imageNereid Collection: Galatea riding a dolphin, c. 1880 (marble) (detail of 416888)

Galatea riding a dolphin, c. 1880 (marble) (detail of 416888)
CH416889 Galatea riding a dolphin, c.1880 (marble) (detail of 416888) by Ansiglione, Leopoldo (1832-94); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageNereid Collection: Panope, 1862 (oil on canvas)

Panope, 1862 (oil on canvas)
488317 Panope, 1862 (oil on canvas) by Frost, William Edward (1810-77); 71x91.5 cm; Private Collection; (add.info.: The painting represents a line from John Miltons Lycidas)

Background imageNereid Collection: Alpheus and Arethusa (oil on canvas)

Alpheus and Arethusa (oil on canvas)
778246 Alpheus and Arethusa (oil on canvas) by Maratta or Maratti, Carlo (1625-1713); 78x96 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageNereid Collection: A beauty contest between Cassiopeia and the Nereids judged by Aion, House of Aion, Paphos

A beauty contest between Cassiopeia and the Nereids judged by Aion, House of Aion, Paphos
696742 A beauty contest between Cassiopeia and the Nereids judged by Aion, House of Aion, Paphos, Cyprus (mosaic) by Roman, (3rd century AD); House of Aion, Kato Paphos

Background imageNereid Collection: Ancient History, no. 40: The Despair of Calypso (Histoire Ancienne, no

Ancient History, no. 40: The Despair of Calypso (Histoire Ancienne, no
1069293 Ancient History, no. 40: The Despair of Calypso (Histoire Ancienne, no. 40: Le desespoir de Calypso, 1842 (hand-coloured litho) by Daumier

Background imageNereid Collection: Scaleworms or segmented worms

Scaleworms or segmented worms. Eumolpe impatiens 1, Eumolpe scolopendrina 2, and Eumolpe longissima 3. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle

Background imageNereid Collection: The Water Nymph (oil on canvas)

The Water Nymph (oil on canvas)
741726 The Water Nymph (oil on canvas) by Martin-Kavel, Francois (1861-1931); 64.7x50.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageNereid Collection: The Galleria Carracci (Carracci Hall) detail of Polyphemus and Galatea

The Galleria Carracci (Carracci Hall) detail of Polyphemus and Galatea
BEN107146 The Galleria Carracci (Carracci Hall) detail of Polyphemus and Galatea, 1597-1604 (fresco) by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome

Background imageNereid Collection: A Nereid (sea nymph) in mantle and bracelets

A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish. Museo Naz. XXII, Stabiae

Background imageNereid Collection: Nereid sea nymph supported by a monster, half

Nereid sea nymph supported by a monster, half panther and half fish. Museo Naz. XXII, Stabiae. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les

Background imageNereid Collection: The Hunts of Maximilian, Gemini, The Stag Hunt, the Assembly

The Hunts of Maximilian, Gemini, The Stag Hunt, the Assembly
XIR345943 The Hunts of Maximilian, Gemini, The Stag Hunt, the Assembly, Gobelins Factory detail of the border (see also 70347) (tapestry) (b/w photo) by Orley

Background imageNereid Collection: Hermes Ordering Calypso to Release Odysseus, c. 1670 (oil on canvas)

Hermes Ordering Calypso to Release Odysseus, c. 1670 (oil on canvas)
500167 Hermes Ordering Calypso to Release Odysseus, c.1670 (oil on canvas) by Lairesse, Gerard de (1640-1711); 118.5x140 (framed) 91.4x113.7 (unframed) cm; Cleveland Museum of Art, OH

Background imageNereid Collection: A daughter of Nereus mounted on a sea monster

A daughter of Nereus mounted on a sea monster
One of the 50 daughters of Nereus mounted on a sea monster with the head of a panther. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789

Background imageNereid Collection: One of the 50 daughters of Nereus mounted on a sea monster

One of the 50 daughters of Nereus mounted on a sea monster with the head of a horse. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789

Background imageNereid Collection: Odysseus and Calypso, 1929 (litho)

Odysseus and Calypso, 1929 (litho)
3060293 Odysseus and Calypso, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one)

Background imageNereid Collection: The Collision off the Dungeness Light between the 'Nereid'and the 'Killochan'(engraving)

The Collision off the Dungeness Light between the "Nereid"and the "Killochan"(engraving)
1055412 The Collision off the Dungeness Light between the " Nereid" and the " Killochan" (engraving) by Staniland, Charles J

Background imageNereid Collection: Acis and Galatea (oil on canvas)

Acis and Galatea (oil on canvas)
617258 Acis and Galatea (oil on canvas) by Troy, Jean Francois de (1679-1752); 130.8x114.3 cm; Private Collection; Photo eChristies Images; French, out of copyright



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In the mystical world of mythology, Nereid reigns as one of the most enchanting creatures. Known as Crenaia, the nymph of the Dargle, she embodies beauty and grace. Just like in Munoz Degrain's captivating artwork "Bathing of the Nymphs, " where Nereid frolics with her fellow water nymphs. The allure is further enhanced by a censer adorned with Tlaloc, the god associated with rain and fertility. This ceramic masterpiece adds an element of mysticism to her presence. Nereid's ethereal charm is reminiscent of Antonio's painting "The Siren. " With flowing locks and mesmerizing eyes, she lures sailors into a trance-like state with her enchanting song. But Nereid isn't alone in this realm; she shares it with other mythical beings such as harpies, griffins, satyrs, giants, and even seahorses. Together they create a fantastical world that sparks our imagination. Virgil's epic tale "The Death of Camilla" reveals another side to Nereids' character - their bravery. In this story filled with heroism and tragedy, these sea nymphs prove themselves to be formidable warriors alongside Triton. Pan and his beloved nymph Syrinx also find solace in Nereids' company. Ulyanov beautifully captures their tender moment amidst nature's splendor. Giovanni Battista Tiepolo transports us back in time through his intricate artwork depicting scenes from ancient Greece. His portrayal showcases how deeply rooted they are within Greek mythology. "The Siren" continues to captivate artists throughout history; its allure never fading away. Whether it be 1873 or 1896 or even earlier around 1893 when La Sirena made her appearance known once again - each rendition holds its own unique charm.