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Melchior Collection (#10)

"Melchior: A Journey Through Time and Art" Step into the world of Melchior, a name that echoes through centuries of artistic masterpieces

Background imageMelchior Collection: Inner right wing of the High Altar of St. Peters in Hamburg, the Grabower Altar

Inner right wing of the High Altar of St. Peters in Hamburg, the Grabower Altar
XKH145258 Inner right wing of the High Altar of St. Peters in Hamburg, the Grabower Altar, 1383 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 173x169 cm; Hamburger Kunsthalle

Background imageMelchior Collection: Adoration of the Magi, 1570s (oil on canvas)

Adoration of the Magi, 1570s (oil on canvas)
BAL128297 Adoration of the Magi, 1570s (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 45x34.5 cm; State Hermitage Museum, St

Background imageMelchior Collection: The Adoration of the Magi (oil on panel)

The Adoration of the Magi (oil on panel)
XIR220049 The Adoration of the Magi (oil on panel) by Jordaens, Jacob (1593-1678); 134.2x166.6 cm; Musee d Art Thomas Henry, Cherbourg, France; Flemish, out of copyright

Background imageMelchior Collection: The Cavalcade of the Magi, c. 1460 (oil on panel)

The Cavalcade of the Magi, c. 1460 (oil on panel)
XIR212811 The Cavalcade of the Magi, c.1460 (oil on panel) by Swiss School, (15th century); Musee des Beaux-Arts, Dijon, France; (add.info.: La Chevauchee des Rois Mages; ); Swiss, out of copyright

Background imageMelchior Collection: Adoration of the Kings (oil on canvas)

Adoration of the Kings (oil on canvas)
XJL109934 Adoration of the Kings (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); Real Monasterio de El Escorial, El Escorial, Spain; Italian, out of copyright

Background imageMelchior Collection: The Adoration of the Magi (oil on canvas)

The Adoration of the Magi (oil on canvas)
BAL21151 The Adoration of the Magi (oil on canvas) by Bruegel, Pieter the Elder (c.1525-69); Museo Correr, Venice, Italy; Flemish, out of copyright

Background imageMelchior Collection: The Adoration of the Magi, c. 1561 (oil on canvas)

The Adoration of the Magi, c. 1561 (oil on canvas)
XIR201171 The Adoration of the Magi, c.1561 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 141x219 cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageMelchior Collection: The Adoration of the Magi (oil on panel)

The Adoration of the Magi (oil on panel)
XIR197275 The Adoration of the Magi (oil on panel) by Gossaert, Jan (Mabuse) (c.1472-c.1533); Museo Lazaro Galdiano, Madrid, Spain; Flemish, out of copyright

Background imageMelchior Collection: Adoration of the Magi, early 17th century (oil on oak panel)

Adoration of the Magi, early 17th century (oil on oak panel)
XOS1765582 Adoration of the Magi, early 17th century (oil on oak panel) by Bosch, Hieronymus (c.1450-1516) (after); 57x44.9 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: A late)

Background imageMelchior Collection: Roelant Roghman and Melchior Kusel (Dutch, 1627-1692), Rocky Landscape: pl. 2, etching

Roelant Roghman and Melchior Kusel (Dutch, 1627-1692), Rocky Landscape: pl. 2, etching
Roelant Roghman and Melchior Kusel (Dutch, 1627-1692), Rocky Landscape: pl.2, etching

Background imageMelchior Collection: Roelant Roghman and Melchior Kusel (German, 1626-1683), The Column: pl. 1, etching

Roelant Roghman and Melchior Kusel (German, 1626-1683), The Column: pl. 1, etching
Roelant Roghman and Melchior Kusel (German, 1626-1683), The Column: pl.1, etching

Background imageMelchior Collection: Melchior Kusel after Johann Wilhelm Baur (German, 1626-1683), Tyrolean Landscape

Melchior Kusel after Johann Wilhelm Baur (German, 1626-1683), Tyrolean Landscape, 1681, etching

Background imageMelchior Collection: KNIGHTS: JOUST, 1517. Two knights jousting. German woodcut illustrating the Theuerdank

KNIGHTS: JOUST, 1517. Two knights jousting. German woodcut illustrating the Theuerdank, an allegorical poem by Melchiol Pfintzing, 1517

Background imageMelchior Collection: WORLD WAR I: MELCHIOR. Doctor Theodore Melchior, manager of the Warburg Bank

WORLD WAR I: MELCHIOR. Doctor Theodore Melchior, manager of the Warburg Bank and German Peace Delegate at Versailles, France. Photograph, c1919

Background imageMelchior Collection: Antique illustration of The Adoration of the Magi

Antique illustration of The Adoration of the Magi (early 16th century wood engraving). The Virgin Mary and Child are depicted in the foreground with two of the Magi (the Three Wise Men or Three Kings)

Background imageMelchior Collection: The Presentation at the Temple and The Flight Into Egypt. From a triptych. Virgin Mary

The Presentation at the Temple and The Flight Into Egypt. From a triptych. Virgin Mary, St Simeon, the prophetess Anna, St Joseph Holy Family

Background imageMelchior Collection: FESELEN, Melchior (1495-1538). The Siege of Alesia

FESELEN, Melchior (1495-1538). The Siege of Alesia. 1533. Right central detail. This is one of the paintings commissionned by Duke William IV of Babaria and his wife Jacobea of Baden. Oil on canvas

Background imageMelchior Collection: WYRSCH, Johann Melchior Joseph (1732-1798)

WYRSCH, Johann Melchior Joseph (1732-1798). Soap Bubbles. Oil on canvas

Background imageMelchior Collection: FESELEN, Melchior (1495-1538)

FESELEN, Melchior (1495-1538)

Background imageMelchior Collection: GIOVANNI MELCHIOR BOSCO (1815-1888). Known as John Bosco or Don Bosco. Italian priest

GIOVANNI MELCHIOR BOSCO (1815-1888). Known as John Bosco or Don Bosco. Italian priest. Line engraving, 19th century

Background imageMelchior Collection: Melchior Cibinensis, Hungarian alchemist

Melchior Cibinensis, Hungarian alchemist
Melchior Cibinensis (fl. 1520s), Hungarian alchemist. Very little is known of Cibinensis other than from a few works. Principal among these was the Processus sub forma missae of 1525

Background imageMelchior Collection: LAURITZ MELCHIOR (1890-1973). American (Danish born) operatic tenor. Pencil drawing

LAURITZ MELCHIOR (1890-1973). American (Danish born) operatic tenor. Pencil drawing

Background imageMelchior Collection: D EPINAY (1726 - 1783)

D EPINAY (1726 - 1783)
LOUISE FLORENCE DE LA LIVE D EPINAY, French writer and saloniste, patron of Rousseau, friend of Voltaire and Melchior Grimm

Background imageMelchior Collection: Eugene Peligot

Eugene Peligot
EUGENE MELCHIOR PELIGOT French chemist, particularly associated with water supply

Background imageMelchior Collection: Baron Friedrich Von Grim

Baron Friedrich Von Grim
BARON FRIEDRICH MELCHIOR VON GRIMM German writer and critic



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"Melchior: A Journey Through Time and Art" Step into the world of Melchior, a name that echoes through centuries of artistic masterpieces. From peacocks in 1683 to wailing women in 1922, this captivating figure has left an indelible mark on the art world. In 1624, Melchior's brushstrokes brought to life the Adoration of the Magi on canvas. The scene unfolds with awe-inspiring detail as wise men pay homage to the newborn King. Centuries earlier, Gentile da Fabriano captured this same moment around 1420, showcasing his talent for storytelling. But Melchior's creativity was not limited to paint alone. In a stunning tapestry from 1512, he weaved together scenes of Circumcision and Adoration of the Magi using wool as his medium. This intricate piece transports us back in time and reveals Melchior's mastery across different art forms. Stained glass becomes a canvas for Melchior's imagination in a window depicting the Adoration of the Kings. Its vibrant colors illuminate any space lucky enough to house such beauty. Similarly, an oil-on-canvas rendition from c. 1503-10 captures our attention with its rich hues and meticulous details. Melchior's talents extended beyond traditional art forms; even lithography found its place under his skilled hand. A design for Newington Free Church's chancel window showcases his ability to bring divine stories alive through color litho techniques around 1900. Delving deeper into history, we discover French Horae from the fifteenth century adorned with Melchior's work - specifically an exquisite depiction of Adoration of the Magi on vellum pages within MS. McClean. 81. f68r manuscript. Finally, we encounter The Nativity of Christ illuminated by Melchior himself in a manuscript dating back to 1314.