James Collection (#100)

Harvest Scene, c1814-1859, (1914). Artist: James Stark
Harvest Scene. After a work by James Stark (1794?1859). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]

The Fisher Boy. c1810-1868, (1914). Artist: James Inskipp
The Fisher Boy, (1914). After an original painting by James Inskipp (1790-1868). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]

James Francis Edward Stuart (1688-1765), Louisa Maria Theresa Stuart (1692-1712), 1695, (1911)
Prince James Francis Edward Stuart (1688-1765); Princess Louisa Maria Theresa Stuart (1692-1712), 1695. Prince James Francis Edward Stuart (1688-1765)

An Autumn Bunch, c1869-1906, (1906). Artist: Francis Edward James
An Autumn Buncn. After an original work by Francis Edward James (1849-1920). From The Studio Volume 37 [London Offices of the Studio, London, 1906]

Petunias, c1869-1906, (1906). Artist: Francis Edward James
Petunias. After an original work by Francis Edward James (1849-1920). From The Studio Volume 37 [London Offices of the Studio, London, 1906]

St Marys Church and the Radcliffe, from the quadrangle, at Brasenose, 1896
St Marys Church and the Radcliffe, from the quadrangle, at Brasenose, 1875. The Radcliffe Camera was designed by James Gibbs to house the Radcliffe Science Library

Scene from Oliver Twist by Charles Dickens, 1836. Artist: James Mahoney
Scene from Oliver Twist by Charles Dickens, 1871. Oliver Twist causes a sensation in the childrens ward of the workhouse by asking for a second helping of porridge

Prince James Francis Edward Stuart (1688-1765), 1925
Prince James Francis Edward Stuart (1688-1765), The Old Pretender. Prince James Francis Edward Stuart dressed in Garter robes

Arbella Stuart (1575-1615), English Renaissance noblewoman, 1889
Arbella Stuart (1575-1615), English Renaissance noblewoman, 17th century. Arbella Stuart, a direct descendant of King Henry VII of England

Elizabeth I (1533-1603), Queen of England and Ireland, 1889
Elizabeth I (1533-1603), Queen of England and Ireland. The last Tudor monarch, Elizabeth I (1533-1603) ruled from 1558 until 1603. After an engraving c17th century

A letter from Queen Elizabeth I (1533-1603) to King Jmaes VI (1566-1625), 1898. Artist: James Stillie
A letter from Queen Elizabeth I (1533-1603) to King Jmaes VI (1566-1625) on the death of Francis, Lord Russell (c1527-1585), 1585

Robert Dudley, 1st Earl of Leicester (1532 / 331588), English nobleman, 1889
Robert Dudley, 1st Earl of Leicester (1532 or 1533-1588), English nobleman and favourite of Elizabeth I. After an angraving by Hendrik Goltzius (1558-1617)

John Maitland, 1st Lord Maitland of Thirlestane, (1537-1595), 1889. Artist: James Stillie
John Maitland, 1st Lord Maitland of Thirlestane, (1537-1595), Lord Chancellor of Scotland. King James VI and I (1566-1625) had such a respect to him, that he made the epitaph engraven on his tomb

Memorial by the Earl of Morton on resigning the Regency, March 1578, 1889. Artist: James Stillie
Memorial letter by the Earl of Morton on resigning the Regency, March 1578. James Douglas, 4th Earl of Morton (c1516-1581)

Directions for movement of troops prior to the battle of Solway Moss, (1542), 1889. Artist: James Stillie
Directions for movement of various bodies of troops prior to the battle of Solway Moss, 1542. The Battle of Solway Moss took place on Solway Moss on the English side of the Anglo-Scottish Border in

Churchyard at Tolpuddle showing James Hammetts grave, 1934. The Church of St John The Evangelist, Tolpuddle. In the foreground we see the grave of James Hammett (1811 -1891)

The Mutiny Act, 1797, 1934
The Mutiny Act, 1797. The Mutiny act was pivotal in the conviction of the Tolpuddle Martyres. The Tolpuddle Martyrs were a group of 19th century agricultural labourers from Dorset who were convicted

Route of the protest march to free the Tolpuddle Martyrs, (1834), 1934
The route that the protest march to free the Tolpuddle Martyrs took. A vast demonstration took place on 21st April 1834 with up to 100, 000 people taking part

Harvesting at Tolpuddle, (1824), 1934
Harvesting at Tolpuddle. The Tolpuddle Martyrs were a group of 19th century agricultural labourers from Dorset who were convicted of swearing a secret oath as members of the Friendly Society of

Simon Paap (1789-1828 ) and James Toller (1798-1818), c1894
Simon Paap (1789-1828 ) and James Toller (1798-1818) c1816. Simon Paap (1789-1828 ) was a famous Dutch dwarf who stood at twenty eight inches tall and James Toller (1798-1818)

James U. Jackson Memorial Bridge, Augusta, Georgia, 1943. James Jackson effectivly created North Augus. He traveled to New York to get financial backing and built a new bridge to North Augusta

Kamehameha Statue, Honolulu, Hawaii, c1920
Kamehameha I (c1758-1819), also known as Kamehameha the Great, conquered the Hawaiian Islands formally establishing the Kingdom of Hawaii in 1810

The Last Glimpse of Home, (1633-1701), c1910
The Last Glimpse of Home, c1910. When James II and VII (1633-1701) was exiled to France a small body of English and Scottish gentlemen went into exile with him

The Royal Oak Cup, 1916
The Royal Oak Cup is housed at the Barber-Surgeons Hall. The Royal Oak cup was presented by Charles II in 1676 at the request of his surgeons Sir John Knight

Newmarket Races, 1909. Artist: James Pollard
Newmarket Races. Racing in Newmarket was first recorded in the time of James I. Charles II was known to attend races on Newmarket Heath with his brother, the future James II

Four in Hand, 1907. Artist: James Pollard
Four in Hand. An engraving by J. Glendah after an original painting by James Pollard (1792-1867). From The Connoisseur VOL. XVII, 1907

English Kings and Queens with coats of Arms. Published by Alex Hogg February 15th 1794 Artist: Alex Hogg
English Kings and Queens with coats of Arms. Published by Alex Hogg February 15th 1794. Edward VI, Mary I, Elizabeth, James I. Spencers New History of England

King James II of England and VII of Scotland (1633-1701), 1912
King James II of England and VII of Scotland (1633-1701) became King of England, King of Scots, and King of Ireland from 6 February 1685

General Wolfe, taken from a series of cigarette cards, 1935
General Wolfe. Major General James Peter Wolfe (1727-1759), British Army officer, known for his training reforms and remembered for his victory over the French at the Battle of Quebec in Canada in

Captain James Cook, taken from a series of cigarette cards, 1935
Captain James Cook. From the painting by John Webber, R. A. at the National Portrait Gallery. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas Ltd

James Wolfe, 18th century British soldier. Artist: Newton & Co
James Wolfe, 18th century British soldier. General James Wolfe (1729-1759) died during the successful battle to take Quebec from the French in 1759 during the Seven Years War. Lantern slide

James Quin, 18th century English actor, 1886. An engraving from The Theatre, A Monthly Review, Volume VII, January to June, 1886, edited by Clement Scott, Carson & Comerford, London, 1886

The Vaudeville Company in The Road to Ruin, at the Vaudeville Theatre, London, 1886. Artist: Barraud
The Vaudeville Company in The Road to Ruin, at the Vaudeville Theatre, London, 1886. Back: Charles Warner, Kate Rorke, Fuller Mellish, Fred Thorne

American actors James Lewis and Ann Gilbert in A Night Off, 1886. Artist: Barraud
American actors James Lewis and Ann Gilbert in A Night Off, 1886. A photograph from The Theatre, A Monthly Review, Volume VIII, July to December, 1886, edited by Clement Scott, Carson & Comerford

David James, British actor, 1884. Artist: Fehrenbach
David James, British actor, 1884. A photograph from The Theatre, A Monthly Review, Volume IV, July to December, 1884, edited by Clement Scott, David Bogue, London, 1884

James Fernandez, British actor, 1883. Artist: St Jamess Photographic Co
James Fernandez, British actor, 1883. A photograph from The Theatre, A Monthly Review, 1st October 1883, David Bogue, London, 1883

David James, British actor, in David Garrick, 1887. Artist: Ernest Barraud
David James, British actor, in David Garrick, 1887. A photograph from The Theatre, A Monthly Review, Volume IX, January to June, 1887, Carson & Comerford, London, 1887

Deaf Burke defeats Tom O Connell, 1837 (late 19th or early 20th century). An illustration from Famous Fights. James Deaf Burke (1809-1845) was the first British boxing champion to fight in America

Carney banged the right on his jaw with all his force, 1880s (late 19th or early 20th century). An illustration from Famous Fights

The Four Courts, Dublin, Ireland, c1900s-c1920s(?). The Four Courts building, which houses Irelands main courts, was completed in 1802. The architect was James Gandon

The Custom House, Dublin, Ireland, c1890. Artist: Warwick Goble
The Custom House, Dublin, Ireland, c1890. Designed by James Gandon, the Custom House is one of Dublins finest examples of Georgian architecture

General Post Office, Martin Place, Sydney, New South Wales, Australia, c1924. Designed by James Barnet, Sydneys General Post Office was built between 1866 and 1891

Exterior of the National Gallery, London, 1887. Construction of the National Gallery, designed by William Wilkins, began in 1837

Sunninghill Park, Berkshire, 1813. Artist: William Bernard Cooke
Sunninghill Park, Berkshire, 1813. The seat of GH Crutchley Esq

Pantheon, Oxford Street, London, early 19th century. Artist: J Hinchcliff
Pantheon, Oxford Street, London, early 19th century. The Pantheon was a place of entertainment designed by James Wyatt that opened in 1772

Mrs Montagus House, Portman Square, London, 19th century (1907). Artist: Thomas Hosmer Shepherd
Mrs Montagus House, Portman Square, London, 19th century (1907). Portman Square was originally laid out in the 1760s by Henry William Portman

Wylds Globe, Leicester Square, London, 1851-1862 (1907). Wylds Globe was built in 1851 at the time of the Great Exhibition by James Wyld, a distinguished geographer and MP

The Heir of the Ages, James Payn, English novelist, 1888. Artist: Carlo Pellegrini
The Heir of the Ages, James Payn, English novelist, 1888. A print from Vanity Fair, September 8th 1888

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"James: A Journey Through Art, Music, and History" Step into the vibrant world of James, where art, music, and history intertwine to create a captivating narrative. At St James Park in Newcastle United's heart lies an artistic masterpiece that captures the essence of football passion. The stadium stands tall as a symbol of unity and devotion. In the realm of science, we find Watson and Crick with their groundbreaking DNA model. Their discovery unlocked the secrets of life itself, forever changing our understanding of genetics. Jimi Hendrix takes center stage next; his electrifying performance at Berkeley in 1970 still resonates with fans today. His music transcended boundaries and left an indelible mark on rock 'n' roll history. The iconic Aston Martin DB5 from Goldfinger evokes images of suave sophistication as it cruises through time as James Bond's trusted companion. Its sleek silver exterior exudes elegance and adventure. A satirical etching by James Gillray transports us back to 1802 when Edward Jenner introduced vaccination against smallpox. This caricature reflects society's skepticism towards this revolutionary medical breakthrough. Another Aston Martin graces our journey - the V12 Vanquish immortalized by its association with James Bond. With its powerful engine roaring beneath its hood, it embodies both luxury and excitement. Traveling further back in time brings us to Sheffield in 1797; W. Fairbank's meticulous map showcases the town's layout during this era—a glimpse into history frozen on paper for eternity. Napoleon Bonaparte makes an appearance through Gillray's sharp wit in a cartoon depicting him carving up the world alongside British Prime Minister William Pitt—an amusing satire on political power dynamics. Our voyage concludes with a thrilling steamboat race along the Mississippi River in 1870 between Robert E. Lee and Natchez vessels—Currier & Ives' lithograph immortalizes this exhilarating contest that captured the nation's attention.