Infant Jesus Christ Collection

Simeon and Hannah in the Temple, c. 1627 (oil on panel)
XKH148700 Simeon and Hannah in the Temple, c.1627 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 55.5x44 cm; Hamburger Kunsthalle, Hamburg

Adoration of the Shepherds (oil on panel)
XKH150803 Adoration of the Shepherds (oil on panel) by Sorgh, Hendrik Martensz (1611-70); 40.4x48.3 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

The Nativity of Cardinal Rolin (oil on panel)
XJL95114 The Nativity of Cardinal Rolin (oil on panel) by Master of Moulins, (fl.c.1483-c.1529) (attr. to); Musee Rolin, Autun, France; French, out of copyright

Holy Family, after 1650 (oil on copper) (b / w photo)
XIR248258 Holy Family, after 1650 (oil on copper) (b/w photo) by Stella, Jacques (1596-1657); 45x35 cm; Musee des Augustins, Toulouse, France; (add.info.: la Sainte Famille; ); French

Presentation in the Temple (oil on canvas) (b / w photo)
XIR248255 Presentation in the Temple (oil on canvas) (b/w photo) by Stella, Jacques (1596-1657); 340x222 cm; Musee des Beaux-Arts, Beziers, France; (add.info.: la Presentation au Temple; ); French

The Circumcision, 1654 (etching) (b / w photo)
XIR239555 The Circumcision, 1654 (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

Nativity, 1654 (etching) (b / w photo)
XIR239554 Nativity, 1654 (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

Presentation in the Temple, 1654 (mezzotint) (b / w photo)
XIR238396 Presentation in the Temple, 1654 (mezzotint) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais

Presentation in the Temple (etching) (b / w photo)
XIR238395 Presentation in the Temple (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

The Holy Family (oil on canvas)
XIR162381 The Holy Family (oil on canvas) by Poussin, Nicolas (1594-1665) (attr.to); 64x49.5 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Madonna and Child with St. John the Baptist, c. 1480-90 (oil on panel)
XKH150817 Madonna and Child with St. John the Baptist, c.1480-90 (oil on panel) by Master of the Legend of St. Ursula (1436-1504); 43.8x37.2 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish

The Adoration of the Shepherds, c. 1650 (oil on panel)
XKH148708 The Adoration of the Shepherds, c.1650 (oil on panel) by Wet or Wett, Jacob Willemsz de (c.1610-72); 39.7x54.7 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

The Adoration of the Shepherds (pen and ink wash over black chalk on paper)
XKH145562 The Adoration of the Shepherds (pen and ink wash over black chalk on paper) by Hoogstraten, Samuel van (1627-78); 15.3x20.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch

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The Infant Jesus Christ, depicted in various artworks throughout history, continues to captivate hearts and minds with his divine presence. In Simeon and Hannah in the Temple, painted around 1627, we witness the joyous encounter of these two faithful individuals with the young Messiah. Their eyes filled with awe and reverence as they recognize the fulfillment of ancient prophecies. In Adoration of the Shepherds, an oil painting on panel, we are transported to that sacred night when humble shepherds were granted a glimpse into heaven's glory. With tender adoration and wonderment etched upon their faces, they bow before the newborn King who came to bring salvation to all mankind. The Nativity of Cardinal Rolin is another masterpiece that captures this miraculous event. Painted on panel, it portrays Cardinal Rolin witnessing firsthand the birth of Jesus Christ. His expression reflects a profound sense of gratitude for being present at such a significant moment in human history. In Holy Family (oil on copper), we see Mary cradling her precious child while Joseph stands protectively by their side. The warmth emanating from this intimate scene reminds us of the unconditional love shared within this holy family. Through black-and-white photographs like Presentation in the Temple or The Circumcision (etchings), we are reminded that even without vibrant colors, these timeless depictions retain their power to move our souls. They capture moments where rituals were performed according to Jewish customs – acts that further affirmed Jesus' identity as God's chosen one. Madonna and Child with St. John the Baptist showcases an earlier representation dating back to c. 1480-90; here we witness not only Mary's tenderness towards her son but also St. John's devotion as he gazes upon his cousin who would later become humanity's savior.