Frontispice Collection
The frontispiece of "Precis historique de la traite des Blacks et de la slavery colonial" by Joseph Elzear, Paris 1828
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The frontispiece of "Precis historique de la traite des Blacks et de la slavery colonial" by Joseph Elzear, Paris 1828, sheds light on the dark history of black trafficking. It serves as a visual representation of the book's content, capturing the attention and curiosity of readers. In contrast, the false title page of "Alphabet, " printed in November 1875 by Charles Unsinger for Alphonse Lemerre, takes us on a whimsical journey through letters. This clever design adds an element of surprise to the book and showcases the creativity and craftsmanship involved in its production. Moving forward in time, we come across an illustration from "The Tour de France of a Little Parisian" by Constant Amero, dating back to circa 1880-1885. This charming image transports us to a bygone era when exploring new places was filled with wonder and excitement. On another note, Naudin's depiction of boys holding branches adorned with autumn foliage at Salon d'automne in 1909 captures nature's beauty during this season. The artwork invites viewers to appreciate the changing colors and textures that autumn brings. Turning our attention to ancient times, Marcianus Gr 388 Frontispiece presents Ptolemy (Claudius Ptolemaeus) from Geographia on vellum. This intricate piece showcases both artistic skill and scientific knowledge prevalent during that period. Franchini Gaffurio's treatise "Practica musicae" features a frontispiece that introduces readers to his musical teachings. It sets the tone for what lies within – an exploration into music theory guided by Gaffurio's expertise. "The Guidonian hand, " featured as a frontispiece in "Tractatus musices, " offers a unique visual aid for musicians learning about notation systems. Its inclusion demonstrates how illustrations can enhance understanding and make complex concepts more accessible.