Eugène Henri Paul Gauguin Collection (#10)

Scene from Tahitian Life (detail), 1896. Artist: Paul Gauguin
Scene from Tahitian Life (detail), 1896. Disillusioned by a lack of recognition of his work, Gauguin left Frace in 1891 and lived out the remainder of his life in French Polynesia

Study of a Nude, 1880. Artist: Paul Gauguin
Study of a Nude, 1880. From the collection of the Glyptothek Museum, Copenhagen, Denmark

Vairumati, 1896. Artist: Paul Gauguin
Vairumati, 1896. A mythic earth mother of Tahitian legend. Disillusioned by a lack of recognition of his work, Gauguin left Frace in 1891 and lived out the remainder of his life in French Polynesia

Self-Portrait with Bandaged Ear, 1889. Artist: Vincent van Gogh
Self-Portrait with Bandaged Ear, 1889. Vincent van Gogh (1853-1890) painted this self-portrait after a quarrel with fellow artist Paul Gauguin (1848-1903)

Self Portrait, 1888. Artist: Vincent van Gogh
Self Portrait, 1888. A self portrait of the artist that was dedicated to his friend Paul Gauguin. From the collection of the Fogg Art Museum, Harvard University, Cambridge, MA, U.S.A

Self-Portrait, 1896. Artist: Paul Gauguin
Self-Portrait, 1896. From the Museo de Arte, Sao Paulo, Brazil

Be Be (Nativity), 1896. Artist: Paul Gauguin
Be Be (Nativity), 1896. Found in the collection of The Hermitage, St Petersburg

Sacred Spring: Sweet Dreams (Nave Nave Moe), 1894. Artist: Paul Gauguin
Sacred Spring: Sweet Dreams (Nave Nave Moe), 1894. Detail. Found in the collection of The Hermitage, St Petersburg

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Eugène Henri Paul Gauguin, a renowned French post-impressionist artist, left an indelible mark on the art world with his unique and vibrant works. His masterpiece "Rupe Rupe (Fruit Gathering), 1899" showcases his mastery of color and composition, as he captures the essence of Polynesian culture in this mesmerizing painting. In "Martinique Landscape, 1887, " Gauguin transports us to the lush Caribbean island with its tropical foliage and vivid colors. The scene exudes tranquility and invites viewers to immerse themselves in nature's beauty. Gauguin's fascination with women is evident in "Two Women, 1901 or 1902. " With delicate brushstrokes and subtle expressions, he portrays their grace and mystery, and is a testament to his ability to capture human emotions on canvas. "The Devil Speaks (Mahna No Varua Ino), from Fragrance (Noa Noa), 1893-94" delves into Gauguin's exploration of spirituality. This haunting piece depicts a mythical figure speaking through eerie symbols, inviting contemplation about the supernatural realm. "The Siesta, ca. 1892-94" presents a serene moment captured by Gauguin during his time in Tahiti. The peaceful atmosphere evokes relaxation while showcasing his skillful use of light and shadow. In "Reiter am Strande, 1902, " Gauguin experiments with bold lines and shapes while depicting horseback riders against a beach backdrop. This work exemplifies his departure from traditional artistic conventions towards more innovative styles. Vincent van Gogh pays homage to their friendship in "Le Fauteuil De Gauguin, 1888. " Van Gogh immortalizes Gauguin's iconic chair as an emblematic symbol of their artistic bond during their time together in Arles. "Hina, 1891-93" showcases Gauguin's fascination with Tahitian mythology.