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Cross Collection (#100)

"Crossing Paths: From Goodbye Old Man to the Southern Cross" In the midst of chaos and conflict, the cross stands as a symbol of hope and sacrifice

Background imageCross Collection: Cross, c. 1937. Creator: Carl Keksi

Cross, c. 1937. Creator: Carl Keksi
Cross, c. 1937

Background imageCross Collection: Station of the Cross No. 3: 'Jesus Falls the First Time', c. 1936

Station of the Cross No. 3: "Jesus Falls the First Time", c. 1936
Station of the Cross No. 3: " Jesus Falls the First Time", c. 1936

Background imageCross Collection: Autographed Quilt, c. 1940. Creator: Margaret Linsley

Autographed Quilt, c. 1940. Creator: Margaret Linsley
Autographed Quilt, c. 1940

Background imageCross Collection: Side of Original Confessional, c. 1936. Creator: Geoffrey Holt

Side of Original Confessional, c. 1936. Creator: Geoffrey Holt
Side of Original Confessional, c. 1936

Background imageCross Collection: Cross over Main Entrance to Mission, c. 1937. Creator: Geoffrey Holt

Cross over Main Entrance to Mission, c. 1937. Creator: Geoffrey Holt
Cross over Main Entrance to Mission, c. 1937

Background imageCross Collection: Wrought Iron Cross (Restored), c. 1938. Creator: Gordena Jackson

Wrought Iron Cross (Restored), c. 1938. Creator: Gordena Jackson
Wrought Iron Cross (Restored), c. 1938

Background imageCross Collection: Crucifix, c. 1936. Creator: Geoffrey Holt

Crucifix, c. 1936. Creator: Geoffrey Holt
Crucifix, c. 1936

Background imageCross Collection: Wrought Iron Cross, 1935 / 1942. Creator: Geoffrey Holt

Wrought Iron Cross, 1935 / 1942. Creator: Geoffrey Holt
Wrought Iron Cross, 1935/1942

Background imageCross Collection: Saint Philip standing holding a book and a cross, ca. 1590-1600

Saint Philip standing holding a book and a cross, ca. 1590-1600

Background imageCross Collection: Book Marks, 1938. Creator: J. Howard Iams

Book Marks, 1938. Creator: J. Howard Iams
Book Marks, 1938

Background imageCross Collection: The Baptism of Christ at lower left, within a landscape, 1626-80. 1626-80

The Baptism of Christ at lower left, within a landscape, 1626-80. 1626-80
The Baptism of Christ at lower left, within a landscape, 1626-80

Background imageCross Collection: Last Judgment; after Michelangelos fresco in the Sistine Chapel, ca. 1545

Last Judgment; after Michelangelos fresco in the Sistine Chapel, ca. 1545

Background imageCross Collection: Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead, ca. 1593

Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead, ca. 1593

Background imageCross Collection: Christ crucified on the cross, a skull at the base, ca. 1770-1803

Christ crucified on the cross, a skull at the base, ca. 1770-1803
Christ crucified on the cross, a skull at the base, after Reni, ca. 1770-1803. [In manus tuas commendo spiritum meum - Into your hands, O Lord, I commend my spirit]

Background imageCross Collection: Portrait of Pierre du Laurens, ca. 1670. Creator: Guillaume Vallet

Portrait of Pierre du Laurens, ca. 1670. Creator: Guillaume Vallet
Portrait of Pierre du Laurens, ca. 1670

Background imageCross Collection: The Descent from the Cross, 1550-1600. Creator: Giovanni Battista Cavalieri

The Descent from the Cross, 1550-1600. Creator: Giovanni Battista Cavalieri
The Descent from the Cross, 1550-1600

Background imageCross Collection: The Trinity, with the crucifixion at center and saints to both sides, 1586

The Trinity, with the crucifixion at center and saints to both sides, 1586

Background imageCross Collection: Lincoln Memorial. Dissected Leaves. 1860 / 69. Creator: Anthony & Company

Lincoln Memorial. Dissected Leaves. 1860 / 69. Creator: Anthony & Company
Lincoln Memorial. Dissected Leaves, 1860/69. Albumen print, stereocard, no. 4810 from the series " Anthonys Stereoscopic Views"

Background imageCross Collection: Processional cross, 15th century. Creator: Unknown

Processional cross, 15th century. Creator: Unknown
Cast copper alloy 1 piece processional cross composed of an openwork circular form of radiating miniature crosses, a central equal armed cross and semicircular brackets topped by scrolled hooks

Background imageCross Collection: Hand cross, 15th century. Creator: Unknown

Hand cross, 15th century. Creator: Unknown
Light weight, smooth iron, slender cross with copper inlay spots at the arm ends. A tabot in open box form is at the base of the vertical portion

Background imageCross Collection: Harpers Magazine: Christmas, 1898. Creator: Harvey Ellis

Harpers Magazine: Christmas, 1898. Creator: Harvey Ellis
Harpers Magazine: Christmas, 1898

Background imageCross Collection: Death of Saint Francis Xavier, ca. 1729. Creator: Caylus, Anne-Claude-Philippe de

Death of Saint Francis Xavier, ca. 1729. Creator: Caylus, Anne-Claude-Philippe de
Death of Saint Francis Xavier, ca. 1729

Background imageCross Collection: Portrait of Francesco I de Medici, Grand Duke of Tuscany, ca. 1707

Portrait of Francesco I de Medici, Grand Duke of Tuscany, ca. 1707

Background imageCross Collection: Christ as the Man of Sorrows, ca. 1522-25. Creator: Frans Crabbe van Espleghem

Christ as the Man of Sorrows, ca. 1522-25. Creator: Frans Crabbe van Espleghem
Christ as the Man of Sorrows, ca. 1522-25

Background imageCross Collection: Design for a Tabernacle, Plate 4 from the series Tabernacle, Printed ca. 1750-56

Design for a Tabernacle, Plate 4 from the series Tabernacle, Printed ca. 1750-56

Background imageCross Collection: Design for a Tabernacle, Plate 2 from the series Tabernacle, Printed ca. 1750-56

Design for a Tabernacle, Plate 2 from the series Tabernacle, Printed ca. 1750-56

Background imageCross Collection: Wooden Cross, c. 1940. Creator: George File

Wooden Cross, c. 1940. Creator: George File
Wooden Cross, c. 1940

Background imageCross Collection: The Crucifixion, with the lowering of the cross at center, soldiers throughout

The Crucifixion, with the lowering of the cross at center, soldiers throughout, and a thief on a cross at left, 1762

Background imageCross Collection: The Christ Child sleeping on a cross in a landscape, crown of thorns in the foreground

The Christ Child sleeping on a cross in a landscape, crown of thorns in the foreground, after Reni, 1765-80

Background imageCross Collection: The lady and her gentleman

The lady and her gentleman
Pablo Abreu

Background imageCross Collection: Sunrise at Sella pass (Dolomites)

Sunrise at Sella pass (Dolomites)
Alessandro Traverso

Background imageCross Collection: The Crucifixion and the Lamentation (tempera on gilded panel)

The Crucifixion and the Lamentation (tempera on gilded panel)
BAG12159 The Crucifixion and the Lamentation (tempera on gilded panel) by Gaddi, Taddeo (c.1300-66); 52.4x27 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCross Collection: This Crucifix painted by Giotto. 14 th century. Padua. Italy. (photo)

This Crucifix painted by Giotto. 14 th century. Padua. Italy. (photo)
5936940 This Crucifix painted by Giotto. 14 th century. Padua. Italy. (photo) by Giotto (Giotto di Bondone) (c.1266-1337); Godong; Italian, out of copyright

Background imageCross Collection: St. Jerome, c. 1620 (oil on canvas)

St. Jerome, c. 1620 (oil on canvas)
BAL2054 St. Jerome, c.1620 (oil on canvas) by Tour, Georges de la (1593-1652); 157x100 cm; Musee des Beaux-Arts, Grenoble, France; French, out of copyright

Background imageCross Collection: The Deposition, 1507 (oil on panel)

The Deposition, 1507 (oil on panel)
XJL62308 The Deposition, 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 184x176 cm; Galleria Borghese, Rome, Lazio, Italy; (add.info.: Also known as The Entombment)

Background imageCross Collection: The results: one lyceen suicide in Clermont, another in Bourg

The results: one lyceen suicide in Clermont, another in Bourg
PCT4283847 The results: one lyceen suicide in Clermont, another in Bourg: results of morality without God at school! - Cartoon by Achille Lemot (1846-1909) in Le Pelerin (1909)

Background imageCross Collection: 2110905

2110905

Background imageCross Collection: Cross high on top of Flint Hills

Cross high on top of Flint Hills

Background imageCross Collection: United Kingdom, Wales, Carew. The Carew Cross dates from the 11th century

United Kingdom, Wales, Carew. The Carew Cross dates from the 11th century

Background imageCross Collection: Holy Relics

Holy Relics
March 1946: Rosary beads and religious relics belonging to Catholic priest Leonid Federov who died at Viatka. He was trained as a missionary for service in Russia at the Pontificia Collegio Russo in

Background imageCross Collection: Chancel slab, closing element of the choir of a church. from Lebanon. 5th-6th century AD

Chancel slab, closing element of the choir of a church. from Lebanon. 5th-6th century AD
JLJ4566529 Chancel slab, closing element of the choir of a church. from Lebanon. 5th-6th century AD. Dim. 0, 78x1, 27 m. Paris, Louvre Museum by Lebanese School; Louvre, Paris

Background imageCross Collection: View of the Muiredachs Cross, carved stone, c. 521

View of the Muiredachs Cross, carved stone, c. 521
LRI4679168 View of the Muiredachs Cross, carved stone, c.521 by Irish School; Monasterboice, County Louth, Ireland; (add.info)

Background imageCross Collection: fart43153

fart43153
FAR4227334 fart43153 by Russian School (19th century); State Museum of Religious History, St. Petersburg; (add.info.: Russian icon : Saint Joseph of Volotsk (Joseph de Volokolamsk ou de Volok)

Background imageCross Collection: Mystical Vision of St Bernard (oil on canvas, 17th century)

Mystical Vision of St Bernard (oil on canvas, 17th century)
LRI4696448 Mystical Vision of St Bernard (oil on canvas, 17th century) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); Santa Maria della Cella, Genoa

Background imageCross Collection: Crucifixion with Saint Peter, Paul, Romualdo and Francis (oil on canvas, 16th century)

Crucifixion with Saint Peter, Paul, Romualdo and Francis (oil on canvas, 16th century)
LRI4691048 Crucifixion with Saint Peter, Paul, Romualdo and Francis (oil on canvas, 16th century) by Italian School, (16th century); The Holy Hermitage, Camaldoli

Background imageCross Collection: Saint Sebastian surrounded by Saint John the Baptist and Saint Francois of Assisi Central

Saint Sebastian surrounded by Saint John the Baptist and Saint Francois of Assisi Central
LRI4699696 Saint Sebastian surrounded by Saint John the Baptist and Saint Francois of Assisi Central panel. Up virgin has child. Painting on wood by Filippo Lippi (1451-1504) Dim

Background imageCross Collection: Saint Mary Magdalene (Mary-Magdalene) Painting by Domenico Piola (1627-1703)

Saint Mary Magdalene (Mary-Magdalene) Painting by Domenico Piola (1627-1703)
LRI4702543 Saint Mary Magdalene (Mary-Magdalene) Painting by Domenico Piola (1627-1703), Genes Musei di Strada Nuova (inv n PB 290) by Piola, Domenico the Elder (1627-1703); Musei di Strada Nuova



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"Crossing Paths: From Goodbye Old Man to the Southern Cross" In the midst of chaos and conflict, the cross stands as a symbol of hope and sacrifice. It whispers tales of farewell, like that of "Goodbye Old Man, " where soldiers bid adieu on the battlegrounds of World War I, their hearts heavy with sorrow. Yet, amidst the horrors of war, there are stories that transcend time. The King of Kings himself embraced this sacred emblem, reminding us all that even in death, resurrection awaits. Saint Therese de Lisieux found solace in her faith and wrote passionately about her devotion to Jesus Christ. Her life was a testament to love's power and simplicity – she became known as Saint Therese of the child Jesus. Pope Francis presides over Easter Holy Mass in St. Peter's Square at the Vatican each year beneath an imposing cross. His presence reminds us that this ancient symbol continues to unite believers worldwide. From France's Burgundy region rises a statue honoring Saint Therese de Lisieux – a reminder that her influence extends far beyond her Carmelite convent walls. The bustling streets of Glasgow bear witness to countless crosses – both physical and metaphorical – as people navigate their daily lives amidst challenges big and small. Even centuries ago, Sheffield recognized its significance by etching it onto maps drawn by William Fairbank in 1771 and 1797. The town understood that every journey begins with crossing paths marked by faith or necessity. Amidst turmoil during WWI, James Clark depicted "The Great Sacrifice, " capturing not only soldiers' bravery but also their unwavering belief in something greater than themselves. British submarines silently patrolled beneath treacherous waters for half a century; their crews carried crosses close to their hearts as they protected freedom from unseen depths below. And finally, we find ourselves gazing upon Kranz -the Southern Cross- guiding travelers across vast oceans, reminding us that even in the darkest nights, hope shines through.