Cherubim Collection

The Birth of Venus, 1875. Creator: Alexandre Cabanel
The Birth of Venus, 1875

Hebrew Bible (1299) located in Perpignan (Kingdom of Mallorca). Folio 13. Representation of the Ark of the Covenant open showing the Tablets of the Law

H : Angelot with a green veil - the upper-case surrounded by forget-me-not flowers - Alphabet of cherubs
DUV4224832 H : Angelot with a green veil - the upper-case surrounded by forget-me-not flowers - Alphabet of cherubs, 1905 (postcard) by French School

The Ascension of Jesus - Acts 1. circa 1688

Queen Elizabeth I (1538-1603) in Old Age, c. 1610 (oil on panel)
CRS225667 Queen Elizabeth I (1538-1603) in Old Age, c.1610 (oil on panel) by English School, (17th century); Corsham Court, Wiltshire; English, out of copyright

The Annunciation to the Shepherds, 1656 (oil on canvas) (for details see 77436 & 77437)
BAG12160 The Annunciation to the Shepherds, 1656 (oil on canvas) (for details see 77436 & 77437) by Berchem, Nicolaes Pietersz

Melencolia I (copy), 1602. Creator: Jan Wierix
Melencolia I (copy), 1602. After Albrecht Durer

Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from Recueil d estampes d apres les plus beaux tableaux et d apres les plus beaux desseins qui sont en France

The Holy Trinity, with the dead Christ at center surrounded by angels, God the Father, and the Holy Spirit, 1650-90

St. Luke Painting the Virgin, 1602 (oil on panel)
471087 St. Luke Painting the Virgin, 1602 (oil on panel) by Vos, Maarten de (1532-1603); 270x217 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Deposition, after 1800. Creator: Antonio d Este
Deposition, after 1800. After a model by Antonio Canova

The Holy Family with the Virgin holding Christ over the cradle, 1640-60. 1640-60
The Holy Family with the Virgin holding Christ over the cradle, 1640-60

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
2966815 Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

The Coronation of the Virgin in Paradise, 1438 (oil on panel)
XIR166049 The Coronation of the Virgin in Paradise, 1438 (oil on panel) by Fiore, Jacobello del (fl.1401-39); 283x303 cm; Galleria dell Accademia, Venice

Rest on the Flight into Egypt, 1725. Creator: Giovanni Battista Pittoni the Younger
Rest on the Flight into Egypt, 1725

The Holy Family, with Saint Elisabeth and the Infant Saint John the Baptist, 1653. Creator: Sébastien Bourdon
The Holy Family, with Saint Elisabeth and the Infant Saint John the Baptist, 1653

The Virgin and Child with Saint Rose of Viterbo, 1670. Creator: Bartolomé Esteban Murillo
The Virgin and Child with Saint Rose of Viterbo, 1670

Mary Magdalen conforted by Angels, 1694. Creator: Sebastiano Ricci
Mary Magdalen conforted by Angels, 1694

Bacchus and Ariadne, 1691. Creator: Sebastiano Ricci
Bacchus and Ariadne, 1691

The Immaculate Conception, 1608. Creators: El Greco, Jorge Manuel Theotocopuli
The Immaculate Conception, 1608

The Annunciation, 1576. Creator: El Greco
The Annunciation, 1576

The Rest on the Flight into Egypt, 1540. Creator: Anon
The Rest on the Flight into Egypt, 1540

The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent....1410
The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410, 1664

The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Creators: David Teniers II, Jan van Kessel
The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Antonio de Moncada, having defeated the rebels, represented by two kneeling men in the foreground

The See-Saw, 1750. Creator: Jean-Honore Fragonard
The See-Saw, 1750

Lamentation Over The Body Of Christ, c1645-50. Creator: Alessandro Turchi
Lamentation Over The Body Of Christ, c1645-50. Christ's body has been removed from the cross and laid on a tomb. A basket in the foreground contains the crown of thorns

Bacchanal, 1660. Creator: Giulio Carpioni
Bacchanal, 1660

Pair Of Wall Sconces, 1730/31. Creator: Peter Archambo
Pair Of Wall Sconces, 1730/31. These extravagantly ornamented sconces were originally part of an impressive silver collection amassed by George Booth, second Earl of Warrington

Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881. Creator: Max Klinger
Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881

Vulcan Presenting Arms To Venus For Aeneas, 1756. Creator: Francois Boucher
Vulcan Presenting Arms To Venus For Aeneas, 1756. In Virgil's epic Aeneid, Venus seduces Vulcan and persuades him to forge weapons for her son Aeneas

The Chariot Of Aurora, c1734. Creator: Giovanni Battista Tiepolo
The Chariot Of Aurora, c1734. The chariot of Aurora, goddess of the dawn, ascends into the sky to begin a new day. Sunflowers turn toward the light, while a bat flees with the darkness

Testimonial to the late John Strang, Esq, L.L.D. City Chamberlain of Glasgow, 1864. Creator: Unknown
Testimonial to the late John Strang, Esq, L.L.D. City Chamberlain of Glasgow, 1864....a very handsome testimonial was presented to the late Dr

God the Falther and the dove of Holy Spirit, c.1920 (stained glass)
8714251 God the Falther and the dove of Holy Spirit, c.1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

the Holy family and God the Father, c1920 (stained glass)
8714220 the Holy family and God the Father, c1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

Ceiling of the Studiolo di Francesco I, 1572 (photo)
BEN82542 Ceiling of the Studiolo di Francesco I, 1572 (photo) by Vasari, Giorgio (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence

Bacchus and Venus and putti, 1650-52 (wall tempera painting)
8683569 Bacchus and Venus and putti, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Weeping Bacchus and Ariadn, 1650-52 (wall tempera painting)
8683558 Weeping Bacchus and Ariadn, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo, Este Ducal Palace)

Raising the Columns on the River Ganges, 1650-52 (wall tempera painting)
8683555 Raising the Columns on the River Ganges, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Human Rights, 1789 (poster)
8698417 Human Rights, 1789 (poster); Musee de L'Histoire Vivante, Montreuil, France; (add.info.: History. France, French Revolution. Declaration of the Rights of Man and of the Citizen)

St. Luke the Evangelist, 1651-52 (fresco)
8683528 St. Luke the Evangelist, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "St)

St. Mark the Evangelis, 1651-52 (fresco)
8683527 St. Mark the Evangelis, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "St)

Paradise, detail, 1651-52 (fresco)
8683525 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Paradise, detail, 1651-52 (fresco)
8683524 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Paradise, detail, 1651-52 (fresco)
8683523 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Paradise, detail, 1651-52 (fresco)
8683521 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Ascension of Christ, 1505-10 (oil on panel)
8683288 Ascension of Christ, 1505-10 (oil on panel) by Perugino, Pietro (c.1445-1523); Duomo di San Giovanni, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "Ascension of Christ")

Courtly Women Listen To Music In An Orchard. After Section Of A Fresco Called Triumph Of Death In The Camposanto
UIG5420259 Courtly Women Listen To Music In An Orchard. After Section Of A Fresco Called Triumph Of Death In The Camposanto Monumentale By Buonamico Di Martino, Also Known As Buonamico Buffalmacco

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Cherubim, celestial beings depicted in various forms of art throughout history, have captivated the imagination and inspired awe. From ancient biblical texts to Renaissance masterpieces, these angelic figures have left an indelible mark on artistic expression. In Alexandre Cabanel's iconic painting "The Birth of Venus" from 1875, cherubim surround the goddess as she emerges from the sea, adding a touch of ethereal beauty to this classical scene. Their presence evokes a sense of divine protection and grace. The Hebrew Bible also mentions cherubim prominently. In Perpignan's Kingdom, a stunning depiction dating back to 1299 showcases these heavenly creatures with their wings outstretched in reverence and adoration. They serve as guardians of sacred spaces and symbolize spiritual enlightenment. St. Luke Painting the Virgin by an unknown artist in 1602 portrays cherubim hovering above Mary as she is being painted by St. Luke himself. These celestial beings bring forth inspiration and guidance for artists seeking divine intervention in their creative endeavors. Depictions such as Antonio d Este's "Deposition" after 1800 show cherubim mourning alongside humans during moments of grief and loss. Their presence offers solace and reminds us that even amidst sorrow, there is hope for transcendence. Hannah Humphrey's publication "The Twin Stars, Castor and Pollux" from 1799 features cherubic figures guiding these mythical twins across the night sky—a testament to their role as messengers between heaven and earth. Even Queen Elizabeth I found herself immortalized alongside cherubs in her old age portrait circa 1610. The inclusion of these heavenly beings emphasizes her divinely ordained status as a ruler chosen by God. Jan Wierix's copy of "Melencolia I" from 1602 showcases melancholy personified with cherubs surrounding her figure—perhaps indicating that even sadness can be accompanied by celestial comfort.