Baron Leighton Collection (#2)

And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). Artist: Frederic Leighton
And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York)

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher

Frederick Leighton, British artist and Royal Academician, 1877. Artist: Lock & Whitfield
Frederick Leighton, British artist and Royal Academician, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art

Cimabues Celebrated Madonna is carried in Procession through the Streets of Florence, 1853-1855. Found in the Royal Collection, London

Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). Artist: W Roffe
Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). An engraving of Leighton (1830-1896) from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Artist: Frederic Leighton
Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Illustration from George Eliots Romola, published in monthly parts in The Cornhill Magazine, London, 1862-1863

Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton
Pan playing his pipes, Wood engraving, London, 1862. Illustration by Lord Leighton (1830-96) for Elizabeth Barrett Brownings poem A Musical Instrument What is he doing

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Baron Leighton: A Master of Artistic Expression Frederic Leighton, known as Baron Leighton, was a prominent British artist who left an indelible mark on the art world during the late 19th century. His works encompassed various themes and styles, showcasing his exceptional talent and versatility. One of his notable pieces is "The Athlete Wrestling with a Python" (c1880-1882), created by A Gilbert. This sculpture captures the intense struggle between man and beast, symbolizing the eternal battle against adversity. In "A Condottiere" (1871-72), Leighton showcases his mastery in capturing human emotion through portraiture. The painting depicts a military leader adorned in armor, exuding strength and determination. "Lachrymae" (1894-95) evokes deep introspection as it portrays a woman lost in thought amidst delicate drapery. It reflects Leighton's ability to convey complex emotions through subtle gestures and exquisite attention to detail. "The Last Watch of Hero" (1887) is another masterpiece that demonstrates Leighton's fascination with Greek mythology. This poignant scene depicts Hero anxiously awaiting her lover's return from sea, showcasing the artist's skillful use of light and shadow to create dramatic tension. Lord Leighton himself became the subject of several portraits throughout his career. In "Lord Leighton" (c1890), captured by W&D Downey, we see him portrayed as an esteemed figure embodying dignity and refinement. "The Late Lord Leighton, P. R. A. " (1878-1896) by Moritz Klinkicht immortalizes Baron Leighton after his passing. This portrait pays tribute to his legacy as one of Britain's most celebrated artists. Leighton also made significant contributions to art publications like "The Magazine of Art, " where he was featured in lithographic form in 1878. This further solidified his reputation as a leading figure in the art world.