1661 Collection (#5)

Robert Nanteuil, French (1623-1678), Rene, Marquis de Maisons, 1661, engraving

Benoat Audran I after Joseph Vivien, French (1661-1721), J. P. Bignon, engraving
Benoat Audran I after Joseph Vivien, French (1661-1721), J.P. Bignon, engraving

Israel Henriet after Jacques Callot, French (c. 1590-1661), Bourgeoise with Muff, Facing Right, etching

Cornelis Jonson van Ceulen, English, (1593-1661), Anna Maria van Schurman, 1657, oil on panel

Peter Ludwig van Schuppen after Henri Beaubrun (Flemish, 1627 - 1702), Pierre Ignace de Braux, 1661, engraving on laid paper

Peter Ludwig van Schuppen after Pierre Mignard I (Flemish, 1627 - 1702), Cardinal Jules Mazarin, 1661, engraving

Jan van Aken after Herman Saftleven (Dutch, 1614 - 1661), View of the River Rhine, etching

Jan Fyt (Flemish, 1611 - 1661), Title Page: Pedestal and a Pair of Dogs, 1642, etching

Jan le Ducq, La viande disputa, Dutch, 1636 - 1680, 1661, etching
Jan le Ducq, La viande disputa©, Dutch, 1636 - 1680, 1661, etching

Francesco Montelatici (Italian, 1607 - 1661), Dream of a Man Fleeing, black and red chalk on laid paper

Andrea Sacchi (Italian, 1599 - 1661), A Sacrifice to Pan, early 1630s, pen and brown ink and wash over red chalk on laid paper; laid down

Michael Wenzel Halbax, Two Soldier Saints Adoring the Host, German, 1661 - 1711, c. 1690(?), pen and brown ink over black chalk, heightened with white, on brown paper

Rembrandt van Rijn, Woman with the Arrow, Dutch, 1606 - 1669, 1661, etching, drypoint and burin

Antoine Coypel, Cupid Stealing Venus Floral Crown, French, 1661 - 1722, 1705-1708, orange-red, white, and black chalk, squared for transfer in black chalk, on blue laid paper

Estate Cleydael, Lucas van Uden, 1661

Pelican feeding its young with its own blood, P. Langweer, Hendrick Stuyfzandt, 1661

Landscape with watermill, Jacob Isaacksz. van Ruisdael, 1661

The Hunteras Present, Gabriel Metsu, c. 1658 - c. 1661

Penitent Mary Magdalene, Mateo Cerezo, II, 1661

Interior with a Woman at a Spinning Wheel, Esaias Boursse, 1661

Maria de Witte Francoisdr, b 1616, Wife of Johan van Beaumont, Jan Mijtens, 1661

Old Woman Meditating, Gabriel Metsu, c. 1661 - c. 1663

Aeneas at the Court of Latinus, Ferdinand Bol, c. 1661 - c. 1664

The Tailoras Workshop, Quiringh Gerritsz. van Brekelenkam, 1661

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General, Theodoor van Thulden, 1661

The Lutenist, Hendrick Martensz. Sorgh, 1661

Saint Catherine, Francesco Montelatici, Pier Francesco Morazzone, 1617 - 1661

The Rich Man and Poor Lazarus, Barent Fabritius, 1661

The Parable of the Pharisee and the Publican (Tax Collector), Barent Fabritius, 1661

Prodigal Son, Barent Fabritius, 1661

A daughter and a son (Constantijn?) of the artist, Caspar Netscher, 1661 - 1684

The Old Drinker, Gabriel Metsu, c. 1661 - c. 1663

The Herring-Seller, Gabriel Metsu, c. 1661 - c. 1662

Self Portrait, so-called Portrait of Jan Fabus, Moses ter Borch, 1660 - 1661

Cavalry Captain Hendrik de Sandras Taking Leave from his Wife and Children, Pieter van Anraedt, 1661

The Castle of Batavia, Indonesia, Andries Beeckman, 1661

Title page for: Willem Sluiter, Psalms, Psalmen, lof-sangen, ende geestelike liedekens, 1661

Cicero and people who are discussing something, Theodor Matham, Lowijs Elzevier (III) en Daniel, Franciscus Hackius, 1661

Portrait of Francis Snellinx, Reinier van Persijn, Jan Vos, 1661

Love Garden, Nicolaes de Bruyn, Gerard Valck, 1661

Praise poems of various writers Lieven Willemsz or Coppenol, Cornelis Boey, Jacob Westerbaen, Joost van den Vondel, 1661

Savoy Palace 1661, Visschers London, London, England, engraving 19th century, Britain, UK

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; about 1661; Pen and brown ink and gray wash over black chalk

Christs Command to St. Peter, Feed My Sheep! ( Pasce Oves Mea
Christs Command to St. Peter, " Feed My Sheep!" (" Pasce Oves Mea" ); Andrea Sacchi, Italian, 1599 - 1661; about 1628; Red chalk and red wash; 25.4 x 17.9 cm (10 x 7 1/16 in.)

St. Bartholomew; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1661; Oil on canvas; Unframed: 86.7 x 75.6 cm (34 1/8 x 29 3/4 in.), Framed: 121.6 x 110.2 x 11.7 cm (47 7/8 x 43 3/8 x 4 5/8 in.)

Pictura (An Allegory of Painting); Frans van Mieris the Elder, Dutch, 1635 - 1681; 1661; Oil on copper; Unframed (arched top): 12.7 x 8.9 cm (5 x 3 1/2 in.)

Saint Gines de la Jara; Luisa Roldan (called " La Roldana" ), Spanish, 1652 - 1706, Polychromer: Tomas de Los Arcos, Spanish, born 1661; Spain, Europe; 1692

Four-Panel Screen (paravent); After designs by Alexandre-Francois Desportes, French, 1661 - 1743, Savonnerie Manufactory, French, active 1627 - present; Savonnerie, France

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In the year 1661, a multitude of significant events and creations shaped history. Andreas Cellarius, a renowned astronomer, published his masterpiece "Atlas Coelestis, " unveiling the wonders of the celestial realm to eager minds. Meanwhile, Southwark Cathedral stood tall as a testament to architectural brilliance in this era. Artistic genius Rembrandt van Rhijn captured the essence of diversity by immortalizing two African men through his brush strokes in 1661. Their presence serves as a reminder that humanity's beauty transcends borders and cultures. Scientific progress thrived during this time with Robert Boyle challenging conventional wisdom through his groundbreaking work "The Sceptical Chymist. " His skepticism paved the way for new discoveries and advancements in chemistry. Marmaduke Langdale left an indelible mark on history with his valiant actions, while religious devotion found expression in depictions such as Christ Cross Virgin Mary Mary Magdalene Saint John. Amidst these cultural milestones, King Charles II ascended to power amidst great pomp and ceremony during his coronation. His reign would shape England's destiny for years to come. Across Europe, another monarch took center stage - Charles II of Spain - whose rule spanned several decades. The impact of their decisions reverberated far beyond their respective kingdoms' borders. James Hodder emerged as a prominent mathematician during this period, contributing valuable insights to the field that continue to influence scholars today. The universe itself became subject matter for exploration and understanding when Johannes Janssonius printed an engraving representing Copernicus' model of our cosmos. This representation served as both inspiration and guidepost for future astronomers seeking answers among the stars. Andreas Cellarius continued his astronomical pursuits with "Atlas Coelestis seu Harmonia Macrocosmica, " featuring intricate engravings like Hemisphaerium stellatum boreale antiquum – offering us glimpses into the Northern Hemisphere's celestial wonders.