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Woman in drag as a page, reign of King Charles II/Louis XIV, 16th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865
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Woman in drag as a page, reign of King Charles II/Louis XIV, 16th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865
FLO4655790 Woman in drag as a page, reign of King Charles II/Louis XIV, 16th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.; (add.info.: Woman in drag as a page, reign of King Charles II/Louis XIV, 16th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates, " London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.); © Florilegius
Media ID 38438820
© © Florilegius / Bridgeman Images
Anglais Anglaise Angleterre Bal Masque Ball Mask Boule Bretagne Britannique Britanniques Chapeau Deguisement Disguising Grande Page Plumet Transvestite Travesti Allemagne Femme Grande Bretagne
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EDITORS COMMENTS
This stunning handcoloured lithograph captures a woman in drag as a page during the reign of King Charles II/Louis XIV in the 16th century. The intricate details of her costume, from the plumet on her hat to the elaborate ball mask she wears, showcase the artistry and attention to historical accuracy that went into creating this image.
The woman's confident stance and regal expression hint at a deeper story behind her disguise. Was she attending a grand ball, masquerading as a male page to gain access to exclusive events? Or perhaps she was part of a theatrical performance where gender roles were fluid and boundaries were meant to be crossed.
Thomas Hailes Lacy, the British actor, playwright, theatrical manager, and publisher behind this work, clearly had an eye for capturing both historical accuracy and dramatic flair. His collection of "Female Costumes Historical, National and Dramatic in 200 Plates" is a testament to his passion for bringing history to life through visual storytelling.
As we gaze upon this print, we are transported back in time to an era where fashion was not just about style but also about social status and self-expression. The woman in drag as a page reminds us that identity is fluid and can be shaped by the costumes we choose to wear.
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