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Adoration of the Magi, c. 1519 (oil on panel)
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Adoration of the Magi, c. 1519 (oil on panel)
471163 Adoration of the Magi, c.1519 (oil on panel) by Master of the Antwerp Adoration, (fl.c.1505-30); 29x39 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: On the left panel, the St George with the dragon. The right panel shows the Saint Margaret of Antioch with the kneeling donor.); © Art in Flanders
Media ID 28435468
© Art in Flanders / Bridgeman Images
Adoratio Magorum Adoration Adoration Of The Magi Balthasar Bethlehem Biblical Episode Biblical Magi Birth Blessed Virgin Mary Caspar Detailed Details Dilapidation Donator Donor Dragon Epiphany Fantastic Animal Fantastic Creature Fantastic Creatures George Of Lydda Gothic Art Twelfth 16th Gothic Style Holy Virgin Holy Virgin Mary Joseph Joseph Bible Madonna And Child Madonna With Child Magi Mary And Child Mater Dei Melchior Mythical Animal Mythical Beast Mythical Creature Mythical Creatures Nativity Old Ruin Panels Patron Patron Art Remains Ruination Ruined Ruinous S George Saint George Saint George Of Lydda Slaying Sponsor St Mary The Virgin Three Holy Kings Three Kings Three Magi Three Wise Men Townscape Triptych Virgin And Child Virgin Mry Virgo Immaculata Wise Men Art Style Bible Story Biblical Charcter Biblical Events Biblical Figure Biblical Scene Blessed Virgin Christ Jesus Daily Life Scene Flemish Art Flemish Artist Jesus Of Nazareth New Baby New Born New Born Babes New Born Infant Newborn Newly Born Northern Renaissance Reinassance Renaissance Time
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EDITORS COMMENTS
This print showcases the "Adoration of the Magi" painting, created around 1519 by the Master of the Antwerp Adoration. The artwork, measuring 29x39 cm, is housed in the Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium. The left panel depicts St George valiantly slaying a dragon, while on the right panel we see Saint Margaret of Antioch kneeling before a donor. The scene takes place against an ornate backdrop that includes elements of daily life and a picturesque townscape. The central theme revolves around the Epiphany and the birth of Jesus Christ in Bethlehem. Three wise men from afar are shown adoring baby Jesus alongside Joseph and Mary. The detailed portrayal captures their reverence and awe. The ruined architecture surrounding them symbolizes both decay and rebirth, reflecting themes found throughout Northern Renaissance art. This triptych altarpiece remains a testament to Christian faith during this period. Notable details include Balthasar, Melchior, and Caspar as three kings presenting gifts to baby Jesus. Madonna's portrait radiates serenity as she cradles her newborn child. Overall, this 16th-century masterpiece exemplifies Gothic influences within Renaissance artistry while exploring religious narratives with meticulous attention to detail. It serves as a reminder of Christianity's profound impact on society during this era.
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