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Cover of " Les Crobeaux (Paris)", number 62, Satirique en N & B, 1906_6_3: Les gods s'en va - Anticlericalism - Separation of Church and State, Failure of the Church - Jesus, God, Marianne, Pius X, Divinites, Popes
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Cover of " Les Crobeaux (Paris)", number 62, Satirique en N & B, 1906_6_3: Les gods s'en va - Anticlericalism - Separation of Church and State, Failure of the Church - Jesus, God, Marianne, Pius X, Divinites, Popes
ICA4874501 Cover of " Les Crobeaux (Paris)", number 62, Satirique en N & B, 1906_6_3: Les gods s'en va - Anticlericalism - Separation of Church and State, Failure of the Church - Jesus, God, Marianne, Pius X, Divinites, Popes; (add.info.: Cover of " Les Crobeaux (Paris)", number 62, Satirique en N & B, 1906_6_3: Les gods s'en va - Anticlericalism - Separation of Church and State, Failure of the Church - Jesus, God, Marianne, Pius X, Divinites, Popes); Photo © Caricadoc
Media ID 38479370
© © Caricadoc / Bridgeman Images
Anticlericalism Baggage Cage Crucifix Dove Doves Hand Handle Luggage Marianne Nudite Pace Pius X 1835 1914 Suitcase Trivialite Umbrella A Journal Aureole Biblical Charcter Biblical Figure Caricadoc Religious Role
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EDITORS COMMENTS
This print captures the cover of "Les Crobeaux (Paris)" from 1906, a satirical publication that delves into themes of anticlericalism and the separation of church and state. The image depicts a powerful scene where various religious figures such as Jesus, God, Marianne, Pius X, divinities, and popes are portrayed in a thought-provoking manner.
The artwork symbolizes the failure of the church to adapt to changing societal norms and challenges traditional beliefs. Through clever imagery and symbolism, it critiques the role of religion in politics and society during that time period.
The inclusion of elements like doves representing peace, crosses symbolizing faith, and luggage suggesting baggage carried by religious institutions adds depth to the composition. The woman with an aureole around her head could represent purity or divine intervention amidst chaos.
Overall, this piece is a reflection on the complexities of faith, power dynamics within religious hierarchies, and the struggle for autonomy between spiritual beliefs and secular governance. It serves as a reminder of historical tensions surrounding religion in Europe during the early 20th century.
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