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Illustration of Sambourne (1844-1910) in Punch, 1889-3-30 - English language, Foreign press - Elephant, Balfour Arthur (1848-1930) - Animalisation

Illustration of Sambourne (1844-1910) in Punch, 1889-3-30 - English language, Foreign press - Elephant, Balfour Arthur (1848-1930) - Animalisation


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Illustration of Sambourne (1844-1910) in Punch, 1889-3-30 - English language, Foreign press - Elephant, Balfour Arthur (1848-1930) - Animalisation

ICA4937078 Illustration of Sambourne (1844-1910) in Punch, 1889-3-30 - English language, Foreign press - Elephant, Balfour Arthur (1848-1930) - Animalisation; (add.info.: Illustration of Sambourne (1844-1910) in Punch, 1889-3-30 - English language, Foreign press - Elephant, Balfour Arthur (1848-1930) - Animalisation); Photo © Caricadoc

Media ID 38429644

© © Caricadoc / Bridgeman Images

Cage Eels Electric Eel Electrical Eel Electrical Eels Elephant Fishing Net Sinner Caricadoc To Fish


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > E > Eel

> Animals > Fishes > E > Electric Eel

> Animals > Fishes > E > Elephant Fish

> Animals > Fishes > E > European Eel

> Animals > Fishes > Related Images

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Europe > United Kingdom > England > London > Politics > Arthur Balfour

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > Northern Ireland > Politics

> Fine Art Finder > Artists > Butler and Bayne (workshop) Heaton


EDITORS COMMENTS
This illustration from Punch magazine, dated March 30, 1889, depicts the political satire of Sambourne and Balfour Arthur in a cleverly crafted scene of animalisation. The English language foreign press is highlighted as an elephant, symbolizing power and authority. The intricate details of this engraving showcase the skillful artistry of the era. Sambourne (1844-1910) is portrayed with wit and humor, capturing his essence as a prominent figure in British politics during that time. Balfour Arthur (1848-1930) is depicted alongside him, adding to the dynamic narrative of animalisation within the political landscape. The use of an electric eel further emphasizes the electrifying nature of politics at that time, drawing parallels between power struggles and aquatic creatures. The inclusion of fish adds another layer to this satirical piece, symbolizing various aspects of government and society. As viewers delve into this illustration, they are transported back to a pivotal moment in history where caricature was used as a powerful tool for commentary on social issues. The cage surrounding these figures serves as a metaphor for confinement within political structures. Overall, this print by Bridgeman Images captures the essence of 19th-century political satire with precision and creativity. It stands as a testament to the enduring impact of visual storytelling through art.

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