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Cover of "The Butter Plate", number 194, Satirical in Colours

Cover of 'The Butter Plate', number 194, Satirical in Colours


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Cover of "The Butter Plate", number 194, Satirical in Colours

ICA4893560 Cover of " The Butter Plate", number 194, Satirical in Colours, 1904_12_17: Portugal, Foreign Sovereigns - Carlos I Charles I (1863-1908) - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: Cover of " The Butter Plate", number 194, Satirical in Colours, 1904_12_17: Portugal, Foreign Sovereigns - Carlos I Charles I (1863-1908) - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright

Media ID 22835186

© Caricadoc / Bridgeman Images

Portugal Portuguese A Journal Caricadoc Journalism Newspapers


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> Fine Art Finder > Artists > Georges d' (1878-1937) Ostoya


EDITORS COMMENTS
This print showcases the cover of "The Butter Plate" number 194, Satirical in Colours, dating back to December 17th, 1904. The illustration by Georges d Ostoya-Sochinsky depicts a satirical portrayal of Carlos I Charles I (1863-1908), the Foreign Sovereigns of Portugal during that time. The artist's intricate details and skillful use of colors bring this caricature to life. The image captures an era when monarchy and press played significant roles in society. It offers a glimpse into the political climate of early 20th century Portugal and France. As we delve into this piece, we can appreciate its historical value as it reflects the prevailing sentiments towards European monarchies. The engraving is part of a French journal from the early 1900s, providing insight into the journalistic practices and artistic styles prevalent at that time. Its inclusion in Fine Art Finder allows us to explore not only Portuguese history but also broader themes such as European politics and journalism. Through this photo print, we are transported back to a bygone era where satire was used as a means to critique those in power. It serves as a reminder that art has always been intertwined with politics and social commentary. Overall, this image invites us on a visual journey through history while offering valuable insights into past societies' perspectives on monarchy, journalism, and political satire.

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