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La Baionnette, Satirique en Colours, 1915_12_30: War of 14 -18, Belligerants and symbols, Bulgaria - Ferdinand de Bulgaria (1861-1948) - Illustration by Maurice Neumont (1868-1930)
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La Baionnette, Satirique en Colours, 1915_12_30: War of 14 -18, Belligerants and symbols, Bulgaria - Ferdinand de Bulgaria (1861-1948) - Illustration by Maurice Neumont (1868-1930)
ICA4933748 La Baionnette, Satirique en Colours, 1915_12_30: War of 14 -18, Belligerants and symbols, Bulgaria - Ferdinand de Bulgaria (1861-1948) - Illustration by Maurice Neumont (1868-1930); (add.info.: La Baionnette, Satirique en Colours, 1915_12_30: War of 14 -18, Belligerants and symbols, Bulgaria - Ferdinand de Bulgaria (1861-1948) - Illustration by Maurice Neumont (1868-1930)); Photo © Caricadoc
Media ID 38419372
© © Caricadoc / Bridgeman Images
Anxiete Bulgaria Bulgaria Bulgaria Bulgaria Bulgarian Bulgarian Bulgarians Doom Doubt First War 1914 1918 Hanging Peephole Suicide Wars And Warfare Ww I Biblical Charcter Caricadoc Iere
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EDITORS COMMENTS
This striking print captures a satirical illustration from La Baionnette, a French magazine known for its colorful and humorous take on the events of World War I. Created by Maurice Neumont in 1915, the image features Ferdinand de Bulgaria, the monarch of Bulgaria from 1887 to 1918, amidst symbols representing the belligerents of the war.
Neumont's intricate engraving skillfully combines elements of caricature with historical accuracy, offering a unique perspective on the political landscape of Europe during this tumultuous period. The detailed depiction of Ferdinand de Bulgaria highlights his role in aligning his country with the Central Powers during World War I.
As one examines this artwork closely, they can appreciate not only Neumont's artistic talent but also his keen insight into the complexities of international relations at that time. The use of vibrant colors adds depth and dimension to the scene, drawing viewers into a world where humor and tragedy coexist side by side.
Overall, this print serves as a powerful reminder of the impact that satire can have in shaping public opinion and understanding history. It is a testament to both Neumont's skill as an illustrator and La Baionnette's commitment to providing insightful commentary through art.
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